Of Thanos and Polymer Clay

I should probably have written this right after I actually saw Avengers: Infinity War, but…I didn’t. But I have seen it and it was fine. Nothing overly special but vastly better than Age of Ultron and Civil War – each tied for worst Marvel film.

The spoilers start here, so if you haven’t seen it, skip to the superman head!

Avengers-Infinity-War-Team-Cap-Banner

I was wrong-ish about who would die, because I completely forgot that there was a second film, originally pitched as Infinity War Part 2. I said Iron Man and Captain America would die. I stand by that, but obviously with a conclusion still on its way, that’s the one where it will happen.

Speaking of dying, we might as well jump straight to that. It was bad. Does anyone actually believe that Spider-Man is dead? Or Black Panther? Or the entirety of the Guardians? Of course not. We know they have their own solo films on the way. Then again, the way Black Panther goes, off-screen, makes me think that the Russos never actually intended for us to believe that these heroes are all dead. Rather, I think we’re just meant to wonder how they’re going to get themselves out of this situation. The answer will sadly probably be alternate timelines or time travel, neither of which I’m fond of. But really, I think the problem is that it’s an issue at all. I know the fact that Thanos actually clicks his fingers is meant to be a shock, because that’s the big finale that the heroes are meant to prevent, but all that death doesn’t make for a sad ending. It’s too much and it’s too obviously temporary. If anything, the very last scene of the film should have been the click. Then cut to black. Leave everyone wondering what it meant and who died.

Otherwise, it was decent. Absurd that right after they find out that their friend is dead, along with an entire race of people, Iron Man and chums are cracking jokes. But that’s just the Marvel way of desperately trying to cram comedy into every gap. There are a lot of heroes to keep up with, and mostly it’s balanced well. Perhaps too much Thor and Vision, perhaps too little Black Panther and Captain America/Nomad, but generally, it was well done. Other than how they chose to make Peter Quill fairly unlikeable and Gamora little more than a token sacrifice.

AIW

Thanos himself was good. I liked the way they made him less bloodthirsty than they might have. He talks to the heroes, rather than monologuing at them. He understands and respects – to a degree – their efforts to fight him. Even when he has defeated one of them, he doesn’t kill them. He knocks out Nomad, but then just steps over him. He reaches down to the defeated Scarlet Witch, but just holds her head in an almost comforting manner. He might be mad, but he’s not 2D, cartoon evil. This is, of course, contradicted by the earlier parts of the film, where he slaughters every last Asgardian and murders both Loki and Heimdall. But still…

And then there’s the after credits scene. Nothing too special, other than A) I don’t think Fury will be one of the ones to come back, and B) She’s coming! I’ve been looking forward to the solo Captain Marvel film since it was announced, and I’m looking forward to seeing her arrive in Avengers 4. The colourful logo on Fury’s pager seemed a little over the top though. I maintain that, rather than the logo, a shiver-inducing, exciting end would have been:

…CONNECTING…

…CONNECTED…

Fury?

I’m coming.

And also that she should be in his contacts as ‘The Other Cap’. But that’s beside the point. It was good, I’ll watch it again, but I hope Avengers 4 will be better.

And now Superman:

Superman head sculpt

I mentioned before that I tried my hand at sculpting in polymer clay, and Superman was the result. I then tried sculpture 2, the main character of the book that I’ve just finished and am now editing.

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It includes this weird, Winston Churchill-looking baby. Better than the original ET-Yoda hybrid look it had before. Alex herself, on the other hand, didn’t turn out so well. Confirmed by the number of times people called her a he.

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But the finished product turned out well enough. Plenty of issues, as with the Superman head, but I at least have an idea how to avoid those issues next time.

Final-Before

As for the book itself, even when I’ve edited it, I still need to finish writing another book that has to come out before it, so it will still be a while.

The Last Jedi – Good or Bad?

SPOILERS!

If you want to know what I thought of TLJ without spoilers – and who wouldn’t? – read this. Even if you don’t think you care about spoilers, some of the things that happen in the film are better off seen without prior knowledge.

I have still only seen the film once, so some things aren’t as strong in my memory as they could be and I may have forgotten things entirely. That said, the more time passes, the more small and big issues I think of. So, as usual, this isn’t really a review – because I don’t know how to do those – it’s just a mess of thoughts thrown at the screen.

TLJ

Humour

The humour is made apparent from the very first scene. The conversation between Poe and Hux is simultaneously very funny and concerning. Poe’s side of this conversation is fine – it makes sense to his character and helps us to continue liking him right away, just like the ‘Who talks first’ bit in TFA. Hux’s side, however, is too slapstick stupid. You can imagine he’ll next throw his hat on the ground and jump up and down on it while shaking his fist at Poe’s retreating X-Wing. It doesn’t fit the character – set up to be genocidal and almost Hitler-like – the dangerous and soon-to-be tragic situation, or Star Wars as a whole.

Porg

This humour continues to go too far. Chewbacca about to bite into the roasted porg when he spots a group of porgs watching him, their little faces horrified. Very funny. The close-up of the last porg with its lip quivering, stupid. Funny again, but something that should be in Shrek, not Star Wars. And what was that with Snoke redirecting Rey’s lightsaber (yes, I consider it hers now, not Luke’s) and hitting her in the back of the head with it? Was that meant to be funny? It didn’t hit her hard enough for it to be serious, surely? If it is meant to be funny, it’s totally out of place and wrecks the tension and drama of the scene.

It’s like the filmmakers watched Guardians of the Galaxy and thought ‘we should do that’. No, you shouldn’t. That’s not to say there weren’t times when the humour worked. The caretakers and their dislike of Rey worked well. And…other stuff…probably.

Luke Skywalker and Rey

Mark-Hamill-as-Luke-and-Daisy-Ridley-as-Rey-in-Star-Wars-The-Last-Jedi

These two worked well together, but when you look past the humour of Luke throwing the lightsaber away, the caretakers, the porgs, etc., the scenes on the island were actually fairly pointless. Luke didn’t teach her a damn thing. He just felt sorry for himself the whole time and then she left. He didn’t teach her to use the Force, he didn’t teach her to use the lightsaber (it’s fine that she could already use it well enough to surprise-defeat a wounded and distracted Kylo Ren in TFA, but now she needs to know how to wield it properly, like a Jedi – luckily she…just does), he didn’t teach her any Jedi principles.

Just as she randomly knows to use a Jedi mind trick on James Bond in TFA and how to pull the lightsaber to her, in TLJ she uses the Force without any training. All Luke teaches her is to reach out with her feelings, and then suddenly she can lift a dozen giant boulders with no problem. Even Luke struggled to lift the X-Wing in the swamp, and he had the most powerful Jedi Grand Master teaching him. I was looking forward to Rey lifting his X-Wing out of the ocean, too.

Rey

This part of the film needed so much more time. As I predicted, the film starts with Luke being the last Jedi, and ends with Rey being the last Jedi. The problem is, she in no way earned that title. How can she be a Jedi when Luke didn’t teach her to be a Jedi. She’s just a Force-wielder. There is apparently a whole training sequence cut from the film, but given that his first two ‘lessons’ didn’t really teach her all that much, who knows how much good the third would have been?

As for Luke’s final redemption, in a sense, it felt very much as though the only reason he was projecting himself there rather than being there in person was to surprise the audience. Okay, his X-Wing might be wrecked now after being underwater for so long, so maybe he doesn’t have a way off the island, but really it felt like it was just there to be unexpected. When they opened fire on him and he survived, I thought we were witnessing the power that a true Master can wield – despite the fact that technically, he never moved beyond being a Padawan and has been cut off from the Force for a long time. When Kylo’s foot scrapes the ground and reveals the red sand but Luke’s doesn’t, I thought it was just a nice visual thing because Kylo is a damaging, heavy-handed dark sider, while Luke is a harmonious blah blah blah…it wasn’t that at all.

The other problem is why the hell did he just randomly die afterwards? Kylo says that Rey can’t be linking the two of them because the effort would kill her, so I assume that is foreshadowing and letting us know in advance that the effort of projecting himself like that is not something that even Luke Skywalker can survive, but it just felt out of nowhere. I genuinely didn’t expect him to suddenly disappear like that. I thought that was his part done for TLJ and he’d go out with Leia in the next film.

Leia

Leia

Leia’s role in this was fairly small, as she spends half the film in a coma. She’s too accepting of everything. She no longer seems bothered by Han’s death, she gives up on their allies answering their call for help too easily, she admits that her son is gone too casually, and appears to have no problem with Luke dying. Perhaps we’re meant to think it’s because of all of the trauma she’s gone through since the originals, starting with Alderaan, and with each death – many of them the deaths of the people under her command – she has grown more emotionless, but it doesn’t come across well.

Then she dies. Except she doesn’t! In a throwaway scene that’s never mentioned again, she uses the Force to survive the explosion, the decompression, and the exposure, and Mary Poppinses her way back onto the ship. It’s quite good, and is more Force use than I expected to see from her (I expected some, but more in line with sensing Luke and Kylo than this), but it needed something more. No one even mentions it. All it needed was for someone watching to say ‘Well, I guess she IS the sister of a Jedi Master…’ and that would have been enough. I honestly think some newcomers and people who aren’t that into Star Wars won’t even understand what happened. This would, of course have led to the question of why didn’t she train as a Jedi, but all that would have taken was for her to respond with ‘Because my father was Darth Vader’, and everyone would have understood.

Finn, Rose, and Poe

Finn+Rose+Poe

This was a mess. Poe’s part in the film was perhaps the strongest of the three, but they really felt as though they were only there because they had to be. The film desperately wanted to be about Rey, Luke, and Kylo, but knew that these other characters had been introduced in the last film, and still had to be utilised somehow. The result is a completely pointless storyline where Finn and Rose go to a casino to find a hacker that will board the First Order flagship and stop them being able to track the Resistance through hyperspace.

And it is literally pointless. They find a hacker, go back, don’t manage to do the hacking, and the Resistance is nearly wiped out. Almost exactly what would have happened if they had never left. The only difference is that Benicio del Toro betrays them and tells the First Order how to detect all the little ships taking the Resistance down to the planet. This is not something that was worth all of that screen time. So much of that time could have been given to Luke and Rey so that there could have been some actual training going on.

The Rose/Finn romance is completely out of the blue and stupid. And now Rey is going to be jealous of her. Which I hate, because I’m sick of the idea that a male character and female character must automatically have some kind of romantic interest in each other. Why can’t Rey and Finn just be damn good friends, like Luke and Han? Oh, because their genders aren’t compatible in that way? Okay, sure.

Poe meanwhile has a hostile relationship with an admiral who takes Leia’s place. I think we’re meant to suspect that she’s working for the First Order, because they make a big deal out of Snoke laughing approvingly of how Hux is able to keep up with them as they try to flee, when it’s actually nothing special at all. They can just…track them. That’s all. So she refuses to tell Poe her plans, he mutinies, finds that she was actually in the right, then she dies heroically.

First, all of that could have been easily avoided by her not being a moron and actually letting Poe in on the plan – it’s only because that would have been inconvenient to the ‘story’ that she didn’t. Second, they killed of Admiral Ackbar in the blink of an eye – I didn’t even realise he had been one of the ones killed until it was mentioned – instead of giving him the heroic ending, which would have been more fitting. Third, that scene was one of the best in the film. It was visually stunning. The use of silence for it was perfect. I wouldn’t argue with anyone using the word ‘spectacular’.

Snoke

Snoke

Snoke is dead. This did not come as a shock to me at all. I think it was meant to be the biggest twist in the film, but really it was the only thing they could have done to keep it feeling fresh and not just working off the original trilogy template. I don’t have a problem with it; however, I do have a problem with the fact that Snoke seems to have been built up only so that we’d be surprised when he’s killed.

We don’t know anything about him. Background doesn’t really matter for someone like Rey or Poe or Rose, because what they are currently doing is more important, but we’re talking about a powerful dark side Force-user who seems to have been unknown by both the Jedi and Sidious. If he was a Jedi back then, why didn’t he get wiped out by Order 66? Is that why he has the facial damage? It’s unlikely, because he’s supposedly ancient (which only makes it more absurd that he’s now just suddenly dead). If he was a Sith or other dark sider all along, why didn’t Sidious know about him? Why didn’t he try to kill him – there should be only two, after all. Where the hell has he been hiding all this time. WHAT is he? We’ve been told before that he’s not Sith.

He’s dead now and we’ll either never know, or only know now that it doesn’t matter. I suspect a book will appear that will explain it, which is not okay at all. Don’t leave giant plot holes and missing information and the like because you know a completely different medium will take care of it. Most of us aren’t going to bother with any tie-in novels.

Rey and Kylo

Rey+Kylo

Again, it felt like the film desperately wanted to concentrate on this stuff and ignore the Resistance. Rey and Kylo are done well individually and together. I was very pleased that Kylo stays bad and Rey stays good. Those were two of my biggest concerns going in. I also like that there was something there for those who wanted to see Kylo redemption. He wasn’t evil; he just wasn’t light side. He helps Rey arguably more than Luke does. You could say that it was manipulation to get her to come to him and Snoke so that he could kill Snoke, but I don’t think it was wholly that. It seemed a little more genuine – especially since Kylo invited her to rule with him.

I don’t think it would have suited either character to change sides, but it worked to have them connect with each other and actually begin to care a little about each other. There was no ‘Reylo’ rubbish, which also pleased me. They had a connection, and everything worked on that, but it wasn’t – or at least didn’t seem to be – a romantic thing. Which it shouldn’t have been. She hates him for murdering her surrogate father, Han, but is good enough to look past that and know that there is still some good in him, and try to bring him back to the light.

Drama

There isn’t much. The most obvious omission is any kind of dark side temptation for Rey. She senses the dark side, and Luke says that both sides are strong on the island. Then when she goes looking at the dark side pit, he claims that she went straight for it and so he won’t teach her. Well, that means nothing. She doesn’t understand about the light side and dark side – there’s no reason she wouldn’t go and have a look. No reason she would know to resist. It doesn’t mean her eyes will instantly turn yellow and her lightsaber will magically turn red.

Luke Vader

When she physically goes into the pit, there’s nothing. Some mirror thing that seems utterly pointless. There’s nothing she has to face like Luke had to face Luke Vader in the cave. Nothing meaningful down there to teach her about the Force or herself.

The only drama, I think, comes from Luke vs Kylo. Except eagle-eyed fans, we didn’t know what was going to happen there. Luke couldn’t have won, but it didn’t feel like the time to kill him either. Those eagle-eyed fans would have spotted that he was holding the lightsaber that had just been destroyed, he looked younger because of more than just a hair cut and beard trim, his feet didn’t disturb the ground, and he’d already said to Rey something along the lines of “What do you expect me to do, walk out with a laser sword and face down the First Order?”. Everything else just tried to shock and surprise, and mostly failed.

Luke almost killing Kylo is a point of contention, I think. A lot of people don’t like that. But to me, it was a knee-jerk reaction to suddenly sensing Snoke’s dark side influence. Almost like he would have grabbed and ignited his lightsaber if he’d spotted Snoke peering in the window. I don’t think it makes Luke bad.

The Force

The Force in TLJ is almost a character in its own right. But only the light side. If it is strong enough to just turn Rey into a Jedi without any input from…an actual Jedi, lightning-strike a tree and destroy it, and so on, shouldn’t the dark side have been stronger too? I like that Rey isn’t at all tempted by the dark, as for me, that suits her character. However, if there’s not going to be that kind of temptation, couldn’t the dark side have whispered to her, tried harder to lure her or trick her down in the pit? Something?

And there’s Yoda. He was good. He was a puppet. That was nice.

The-Last-Jedi-spoiler-review

And this has kind of fizzled out now. It’s too long, so the remaining stuff (before I watch it a second time and come up with more), I will put in a ‘questions I have‘ post.

Overall, I feel like The Last Jedi has far more problems than The Force Awakens did, yet I think I like it more. Rey remains my favourite Star Wars character. What did you think of it? What were your favourite bits, worst bits, biggest questions…?

Also Star Warsy:

The Force is with Leia – But Which Side?
The Force is Awake
My 11 Force Awakens Questions
Dawn of the Jedi
The Galaxy Needs KOTOR III

The Last Jedi?

The-Last-Jedi-spoiler-review

I’m quite fond of Star Wars. I’ve watched the original trilogy perhaps literally more times than I can count, and I can count well into two digits. I even liked the prequel trilogy when I first saw them all – though subsequent viewings made me realise how foolish I was. The Force Awakens was a return to the kind of Star Wars that I love, but does The Last Jedi keep it up?

Yes.

But wait, there’s more! Without spoilers. Unless you consider ‘You’ll love the twist in The Sixth Sense!’ a spoiler because now you know there’s a twist. I will do a spoilery review thing later.

TLJ worried me for multiple reasons. Mark Hamill is, just possibly, not the BEST actor in the galaxy, and I was concerned about him having such a big role. Rian Johnson is known for doing things with his films that might not do well in Star Wars, and was reported to be doing things that have never been done in Star Wars, and stuff like that. Early reactions stated that this would be a polarizing film; that the saga had been going one way all this time, and now it would take a sharp turn.

I needn’t have worried about any of these things. I don’t honestly know what those people were talking about – I don’t think anything was particularly polarizing or direction-shifting. Neither was I particularly surprised by anything that happens, whether I’d already had a theory about it nor not. But not in a bad way – I didn’t leave disappointed that there was no ‘I am your father’ moments. It didn’t lack fresh takes on things and decisions that will surprise some, though.

Story-wise, I was concerned about what choices would be made with some of the characters. What worried me most was that their endeavors to make a fresh, unpredictable story would take characters down paths I didn’t want to see them go down. I can’t say what I was concerned about, because then saying that I needn’t have worried would perhaps be a spoiler.

 

Mark-Hamill-as-Luke-and-Daisy-Ridley-as-Rey-in-Star-Wars-The-Last-Jedi

All-in-all, there were a handful of small things I didn’t like much, and one big thing I didn’t like. But overall, it was an improvement over Force Awakens, it was very funny – perhaps too often – and I want to see it again. Now.

Before I get to a spoiler-filled post, here are some other Star Wars things I’ve babbled about:

The Force is with Leia – But Which Side?
The Force is Awake
My 11 Force Awakens Questions
Dawn of the Jedi
The Galaxy Needs KOTOR III

 

WB vs Justice League

justice league

Dawn of Justice was terrible. Snyder made Superman into a dull, whining emo and Batman into a dim-witted, drunken, murdering psychopath who happens to dress like a bat. It goes without saying, then, that even after a mostly very good solo outing for Wonder Woman, I had no hope at all for Justice League.

Imagine my surprise, then, when after weeks of trying and failing to get in to see it, I found myself entirely alone in the cinema, enjoying most of what I was seeing. That’s right, I went to see Thor. I jest. I didn’t see Thor. Perhaps ‘enjoying’ is too strong a term. Easily tolerating.

Given how long it has been out now, I won’t try to avoid spoilers here but, honestly, there’s pretty much nothing TO spoil.

First off, the postivity of my opinion will obviously be swayed by how awful BvS was and the fact that it’s difficult not to compare Justice League with that. Were this the first team up film they had made, I would on the one hand be less forgiving, but on the other be a little more hopeful for the future of the DCMU (which is what I’m calling it). It had plenty of problems, but they seemed smaller than those in BvS, and there were actually enjoyable parts. On a scale of 1 (BvS) to 10 (WW – not that I’d quite give WW a 10/10), I would call Justice League a 6. In a proper rating out of 10, standing on its own merit, I’m not too sure what I could give it. Definitely less than that. 4?

Let’s start with my three biggest problems:

The CGI – WB needs to get its &%$! together when it comes to many things, but perhaps the most obvious to even the most casual of moviegoers is the CGI. It is sensationally bad. JL contains the worst yet. From a terrible, 100% CGI villain to completely unnecessary 100% CGI Alfred, to green-screening that looks like an unfinished fan film, WB would be hard pressed to make the CGI any worse. Cyborg’s face doesn’t need to be CGI – just have him wear a half mask and do it up with little bits of CGI. Although, they couldn’t get Superman’s upper lip to look realistic, so perhaps all is lost in this department.

The length – Perhaps ‘learning’ from people complaining about the length of BvS, Justice League is only two hours long. That would be okay for a solo film, but this is a team-up of six major characters. Although it did, to be fair, seem to give the characters equal-ish screen time, it could have done with at least an extra 30 minutes. As it is, it feels as though Whedon or Snyder or someone forgot that a film should have a middle, and instead went straight from the beginning into a run up to the end. One moment, we’re seeing some of the characters doing their own thing, and the next it’s all go. It’s like Usain Bolt turning up for the Olympics opening ceremony only to hear the starting gun and everyone’s off running and he’s not even in his goddamn shorts!

The Foundation – The film itself can’t help that it has to work off BvS, but…it does. Snyder stupidly rushed into the death of Superman storyline when the world doesn’t trust him, Batman just tried to murder him, and Diana has barely even met him. Even we, the audience, don’t have a good grasp of him as a character (this particular iteration, that is). Yet we’re supposed to believe that the entire world is in mourning because of his death, and so is each of the soon-to-be League. There are shots of places around the world flying gigantic flags with the Superman logo on them. Simply moronic.

Since I’m not sure how else to continue this whatever-this-is, let’s talk about the heroes:

Batman

batman

Batman was a huge disappointment in BvS. He was stupid and oblivious (he lets himself get caught in Luthor’s servers twice, and clumsy, plodding Clark Kent manages to follow him there a third time without him even noticing. World’s greatest dewhat?). There was an allusion to him being an alcoholic womaniser, rather than this being simply a disguise and misdirection. He’s a murdering psychopath. He stands smirking as his traps hurt Superman instead of actually acting. He sees Doomsday about to laser-face him and cowers behind his hands instead of using his multitude of tools and skills to save himself (I maintain that the scene should have happened as is, except without him swearing and hiding, and when Diana turns around to see if he’s okay, he’s standing on the roof above, having escaped in time anyway – she’s still the hero who jumped in front of face laser to save him, and he’s still Batman).

batman arkham

But…I’m getting off track. In Justice League, we’re not too sure if he’s still a murderer because no one ever mentions it and he only fights parademons, which don’t count. He’s still not the Batman I want to see, but he’s a little closer to it. Despite being an older Batman, he shows no signs of the take-charge, always ten steps ahead, ready for anything, surprised by nothing Batman I want to see. For reference, Kevin Conroy is the definitive Batman for me – a live action version of the Batman of the Arkham games would be the Marvel-buster (basically a more brutal, adult version of the animated series Batman). But he doesn’t seem quite as stupid this time, at least. The worst part for me was when Superman first shows up to fight Steppenwolf and Batman literally gasps, with a huge grin on his face. I mean…no.

Batman’s first scene is by far the best and (along with a certain two-sworded villain’s appearance in the post-credits) actually gave me a little hope for his solo film (NOTE: Before editing this, I read that he may now not be playing Batman again after all, which is disappointing – the problem is the Batman he’s been given, not how Affleck plays him). There’s nothing particularly special about it, but it just felt…nice. It felt Batman-ish. A common burglar is climbing out of a window with his loot, and in the window’s reflection, you see Batman watching. Then comes a fairly typical cat and mouse sequence where the thief tries to shoot him but Batman’s never quite there. Again, nothing special, but the most Batman-ish we’ve seen this Batman (and credit to the city around them – it felt like Gotham).

Wonder Woman

WW

There’s not too much to say about Wonder Woman. Her role is fairly minimal outside of hitting and slicing things. Otherwise, she’s really only there to protest bringing Superman back and to explain, unconvincingly, why she went off people in between WW and BvS. But what she did do, she did well.

It looked from the trailers like the team was a bit of a mess right up until Diana takes charge and gets them working as a team. This is not the case. Neither do they work badly together to start with, nor do they work particularly well together in the final fight. Perhaps WB’s collective brain will start working and we’ll see a Patty Jenkins Justice League next. I don’t know how she’d handle Batman, but WW, Superman, and Flash would all do well under her.

I was disappointed to see that not once did she fly. I still don’t know for sure if this version of Wonder Woman CAN fly. She certainly seemed to in her solo film, but it wasn’t clear enough. I’ve said before that, to me, she is almost Superman’s equal. He has more raw strength and power, but she is a demigod (or maybe full god in this version?) and is magic-based, and a trained warrior. These things together – again, to me – make her pretty much his equal in terms of who can beat who (up until Superman totally unleashes, that is; which he didn’t). I was worried, then, when I saw in a leaked video of Superman’s fight with them, that they headbutt each other. She barely knocks his head back, but then he headbutts her back and she gets planted in the concrete. The full scene is slightly better, as he actually headbutts her first, and does as little damage as her return headbutt. This at least shows that the most powerful man in the universe has to make some real effort to hurt her (but look out further down for how that’s completely ruined later on).

Superman

superman

We all knew he was going to come back in this film, but it was as though all the characters knew he was going to come back in this film too. There was no light bulb moment when they realise they can bring him back; there was no clever or interesting way they went about it; there was no emotional realisation that it might actually be possible; there was no real drama to him suddenly being alive again. Aquaman and Diana put forward their ideas that it might be a bad idea – that they don’t know that he’d come back wholly himself – but otherwise, there’s not really any discussion about it.

Then there’s the fact that he’s only in three crucial scenes. His fight with the others, his talk with Lois, and then the end fight when he turns up to save the day, single-handed. Again, this is where a longer film would have come in handy. Perhaps the worst thing about this is that when he does turn up to fight Steppenwolf (cue Batman’s schoolgirl gasp), he bats him about like a cat playing with a dead mouse. This is badly handled. Not only because the other superpowered heroes do him almost no damage (remember how Superman had to really try in order to hurt WW?), but also because of the introductory flashback scene of the first time he comes to Earth, and is fought by Amazons, Atlantians, ‘the tribes of man’, and…wait for it…gods. Yes, the actual gods fight him, and he’s still only just sent packing. But Superman turns up and that’s that. He doesn’t even get a hair out of place while ‘fighting’ Steppenwolf. This, to me, is a little too much. Steppenwolf should at least have got in a couple of good hits. It should have been Superman’s power that allowed them TOGETHER to overwhelm Steppenwolf. Sure, he should be capable of defeating him single-handed, but it shouldn’t be that easy, or else what is the point of the Justice League? Not to mention, if Steppenwolf had hurt Superman a bit, we’d have been wondering just how much more damage Darkseid will be able to do (and I really just can’t get over how weak it makes Diana seem).

Bad faceAnd he was just creepy and weird, like a Henry Cavill doppleganger was brought in to play him. He was so inhuman and unemotional all the way through – even when fighting Steppenwolf – as though he resented having to be there – character and actor.

 

Also, where did he get his new suit?

Flash

the-flash

Apparently, Flash was most people’s favourite character. I don’t really understand why. His scenes with his father were a bit weak – there was no chemistry there at all. A lot of his humour was way over the top, forced, unfunny, and just childish. He runs weirdly. There’s a scene near the end where he’s running along a road, and I literally thought he was falling or something because of the way his arms were flailing about. But no, that’s just how he runs.

He is perhaps the most pointless character, as at least the others have reason to be there. Flash is just there because he’s part of the Justice League, so he HAS to be. Sure, he saves some people, but there’s no part where he earns his place in the team or the film.

Aquaman

aquaman

I expected to dislike Aquaman. I don’t dislike Jason Mamoa, but his characters come across as too arrogant and smug for my liking. But, aside from a bit too much of the “Oh yeah”s and the “My man”s and the “Yeah-ya”s – which are nails on chalkboard to most non-Americans – he was actually okay. Not more than okay, but okay. I’ve read reviews that refer to him as the ‘bad boy’, which is just ridiculous. There’s nothing bad boy-ish about him other than his initial refusal to help. That’s it. He doesn’t hesitate for a second once he’s onboard. Doesn’t second guess anyone, doesn’t take issue with Diana taking charge and giving orders (one order), nothing. He has a teeny tiny spat with Cyborg which is over in an instant and feels no more serious than the rest of his banter.

What I don’t understand, though, is why he helps in the first place. Steppenwolf attacks Queen Mera, and Aquaman turns up to get beaten too. Then Mera – queen, remember – tells him that his then-queen mother gave him up to protect him (which he seems to immediately accept and change his previously-negative opinion of said mother), and that it would have been the mother’s duty (as queen) to go after Steppenwolf, but now it is Aquaman’s. W…why? Why is the queen’s duty not the queen’s duty now that the queen is a different queen? At least the Amazon queen actually makes some effort herself (and is actually acted properly too). It’s made to sound as though this is the first time Aquaman has even turned up in Atlantis, too, which makes it all even weirder.

Cyborg

Cyborg

I’ve heard it said that this is the weakest character, but I don’t agree. I don’t think he is given any less screen time than other characters, and best of all, his self-pity doesn’t last long and isn’t overwhelmingly irritating like certain other Batman/Superman films I could mention. He’s well acted, badly-CGI’d, and plays a crucial role in the story – but not so crucial that you feel he should have had a bigger part to play.

But seriously, why CGI the entire cyborg half of his face? It’s unnecessary and awful.

JL

When it came to humour, as I’ve already said, Flash failed to amuse most of the time, but even that wasn’t totally horrendous as Age of Ultron taught me to expect from Whedon. The worst of it was the bit we already saw, with him getting excited about the Bat signal. Otherwise it was his general awkward, immature nature that was supposed to amuse. There were, I think, two parts that actually made me laugh – one of which is an older woman on the news, which has nothing to do with anything.

Danny Elfman – I’m assuming at Whedon’s behest, or at least permission – brought back the Batman and Superman themes (the proper ones), which worked quite well for Batman, despite him not being a Batman worthy of that theme. For Superman, I can only assume the part where it was used properly was cut. The only time we hear it is a bizzaro version when he’s not himself and is fighting the team. There is a recognisable sound when he punches Steppenwolf, which might be at least a bit of the theme, but it was barely audible underneath the noise of Steppenwolf hitting the ground. Perhaps just as well, since he was even less deserving of it than Batman.

HARWOOD

‘Flat’ is probably the best word to describe it. Nothing ever felt remotely dangerous or dramatic, the only time the characters had a hint of emotional interaction with each other was when Bruce annoys Diana and she shoves him. Even that was over in an instant and they were apologising to each other minutes later. There’s no coming together, no clumsiness of people not used to working as a team and not used to trusting others, no…anything much. I’m not even totally sure why it would have been so terrible if Steppenwolf got all three motherboxes. I’m sure it was explained… It’s full of missed opportunities, rushes into things too fast, leaves no time for meaningful character development. It’s more like a pitch for a full film: ‘These are just some of the things you’ll see if you let us make a full Justice League movie’.

So, perhaps the main reason I actually ended up enjoying my two hours was because it was not as terrible as Dawn of Justice. I can’t explain why else I left the cinema not feeling as though I wasted two hours. I want the extended cut (BvS was less terrible in the extended cut), but whose do I want? Snyder’s? Not really. Whedon’s? Not really. I just want a longer, fuller version. But for now, I’m just surprised that I actually want to see it again.

Batman

See also:

The Big Blue Boy Scout
Birth of the Superhero

Zack Snyder v Batman v Superman

Or: Zack Snyder v The DC Universe

batman-v-superman-dawn-of-justice

When I first heard about Batman v Superman: Dawn of Justice, I was more excited about it than I was about The Force Awakens (though that changed, of course, as TFA came closer). I wasn’t sure what to make of Ben Affleck being cast as Batman, but I thought he might do well. I was not a fan of Jesse Eisenberg being cast as Lex Luthor, but beyond that, I was expecting a good film.

Then the trailers started coming in. The first few teasers were good and only increased my excitement for the film. But it soon started to get worrying. Batman seemed to be doing things Batman shouldn’t be doing. He seemed to be showing too much emotion for my liking. Luthor was acting like an idiot. Doomsday right there in a trailer?! But I still held out hope. There have been trailers before that ill portrayed the film, and I could live with a slightly different take on Batman – every actor is going to play him differently, obviously, and I’ll never get the live action version that’s in my head anyway.

But after my hopes coming and going and coming and going again, I watched the film this morning not knowing what to think. And…I still don’t know what to think. If I were to give the briefest review, I would say it had good bits and bad bits, and overall I quite enjoyed it. But I’ll go a little deeper than that, with no spoilers.

Let’s randomly start with Lex Luthor. I was completely justified in my concerns about Jesse Eisenberg’s casting. He was probably the worst thing about the film. In the three video reviews I watched yesterday of the film, he was twice referred to as being very like Jim Carey. And the more the film goes on, the more I can see why. Though he isn’t as over the top as the reviews can make him seem, there are a couple of places where he brought to mind Carey’s Riddler in Arkham Asylum at the end of Batman Forever. He is certainly a new take on the character, being borderline schizophrenic rather than insane through his megalomania. He does at least have a few decent lines regarding whether Superman is truly good.

BvS-wonder-woman.JPG

Gal Gadot was a good choice for Wonder Woman, I thought, and she gives off a sense of power and virtue. Her sudden appearance (sudden to most of the characters) towards the end of the film made me smile, yet I can see how people not entirely familiar with her character would be very confused. Why, they would muse, is Wonder Woman doing more damage to Doomsday than Superman?

Affleck did a good job as Batman. I’ve heard a lot of people say he’s the best thing about the film, but I don’t know if I would go that far. To me, he is similar to Cavill as Superman: good, but not all that remarkable. I wouldn’t like to see him replaced and I’d be happy to watch him in the role again, but his name wouldn’t roll off my tongue if I was asked who I think the best Batman is (Kevin Conroy, since you ask). I’ll come back to more of Batman in a minute.

It’s difficult to talk about the film without properly…talking about it. A lot of the issues revolve around things that are, or could be considered, spoilers. But suffice to say that one annoyance is that the trailers pretty much show us the entire film. There is very little in there that will surprise you after watching those. Which is absolutely ridiculous on the part of the marketing team. Doomsday should never have been shown in the trailers, particularly. Even Wonder Woman’s best bits are in the trailers.

Just like my ramblings, the film is all over the place and lacking in any kind of sense of consistency or substance. I don’t understand a lot of the choices, such as sitting Metropolis right next to Gotham (you literally see the Bat signal from Metropolis), or having Batman closer to the end of his career just as the Justice League begins come together. Unfortunately, a lot of it is stuff I can’t mention in a spoiler-free review (like the plot point they used for the resolution – ridiculous and too soon). The dream sequences are another particularly confusing aspect of the film, since they don’t actually seem to have any relevance to anything.

It’s as though there are multiple films playing out in one, and Snyder doesn’t know which one to point the camera at. Although for the most part the way it jumps about isn’t too confusing, there is a lot of stuff that didn’t need to be in there at all. Like the cameos from the other Justice League members. The cameos themselves are bad, the way they are done is bad, and they are utterly pointless except to show Batman and Wonder Woman that there are more metahumans out there, which isn’t necessary information for this film. Why not end the film with one of them saying something like, ‘You know, there were more videos on that drive…’ and going from there?

In the end, though, the thing that really brought the film down was Batman. Yes, you’ve heard that he’s the best part, and yes he’s very good. But he kills people. Like a moron, Snyder tried to excuse it as not murder, but just plain old manslaughter. Funnily enough, that doesn’t make it okay. As I said, I can deal with a different take on the character, but when you completely alter a fundamental aspect of that character…well, you’re a twat.

Batman Kills.jpg

Not only does Batman kill, but he kills unnecessarily. Each and every kill could have been avoided and handled differently. At one point he even has devices that disable his enemies’ guns, so clearly some kind of brain activity is possible when it comes to thinking non-lethally. But instead, Snyder decides to take the lazy approach and just murder everyone else. And it is laziness because, at the end of the day, Batman in the comics can actually be quite profound, and that includes his reasons for not killing and his justifications for why it isn’t necessary, right, or his choice to make. Writing in good reasons why Batman still sticks to his all-important rule is so much harder than ‘oh, well, you know, he’s just tired of bad people doing bad things and stuff…’, so they simply didn’t bother.

That said, I wonder how the gentleman that Superman smashed through a brick wall at 100mph is doing.

One of the biggest aspects of Batman’s character is his iron will. And that extends to his not killing. But that’s not the only reason he doesn’t kill. It’s because he knows how close to the edge he is. He knows the darkness inside him. And he knows that if he were to go down that path, there would be no coming back; he would become everything that he has been fighting against. But no, Zack Snyder knows better, right?

Interesting question: If Batman is so happy to murder people, why is the Joker alive?

I decided early that I would never take a life. Right around the time I decided that I wanted to live. It wasn’t an arbitrary decision and it was more than moral. It’s about identity. As long as you can choose that, choose who you are in the world…you can choose to call yourself sane.‘ – Batman, New Earth

Vengeance blackens the soul, Bruce. I’ve always feared that you would become that which you fought against. You walk the edge of that abyss every night, but you haven’t fallen in and I thank heaven for that.‘ – Alfred, Mask of the Phantasm

If you kill a killer, the number of killers in the world remains the same.’ – Batman

It Always Starts With One

My biggest issue with the film is actually that in doing the things he has done, Snyder has impacted the entire DC cinematic universe. Everything to come has to work off the template that Snyder has laid down, even if Snyder himself is gone. And he absolutely should be removed from the Justice League, in my opinion. I don’t think he, or David S Goyer, should be allowed anywhere near the DCMU again. Or any superhero film for that matter.

To me, Snyder with BvS is a lot like Frank Miller with Dark Knight Returns. I know a lot of people love that graphic novel and think it’s the ultimate Batman, but I detest it (sorry). Neither of them seem to understand or even like either Batman or Superman.

But, as I said before, at the end of the day I did enjoy the film more than I disliked it. And I think I have run out of things to say without spoilers.

Batman

If you want more Superman and Batman, here are a couple of articles I’ve written before on the subject(s):

The Big Blue Boy Scout

Birth of the Superhero

The Force Is Awake

The Force Awakens

This will be a pretty short ‘review’ anyway,but before I mention any spoilers, I will say that The Force Awakens is very good. It does suffer from some pacing issues, though, so that it feels too rushed and doesn’t contain any of the more relaxed, slow scenes that the originals had. It also contains some things that are a little too easy and convenient – and no they can’t be excused with ‘Oh, it’s the Force manipulating events’.

These two things are really my only problems with the film, which is good. Well, that and the music wasn’t remotely memorable, which is a shame. And a few too many scenes and lines from the trailers found themselves cut from the film itself – a couple of which were very good lines. But otherwise, it was better than the prequel trilogy combined, though that’s not really saying much. The fact that it was entirely predictable and nothing happened that surprised me couldbe taken as a negative, but since I liked pretty much everything that I predicted, it isn’t a bad thing.

I can’t say anything more, really, without it being slightly spoilerish. So, here begineth the spoilers!

SPOILERS!!

So, the timeline is pretty much what we all expected. Ray on Jakku, Finn breaking Poe out, Finn finding Rey, them finding Han, Finn fighting Kylo, etc. But most of the film in general is what I expected. It’s quicker to say what was different.

I thought Finn would die – though I stopped thinking that closer to release – but instead Han died. I thought Rey would be Han and Leia’s daughter but instead Kylo is their son. And that’s pretty much it. Not, as I said, that it’s a bad thing, because I wanted Rey to be the Force sensitive. I wanted the film to be mostly about their search for a missing Luke Skywalker. I wanted him to have disappeared after trying and failing to rebuild the Jedi order.

I’m not really sure what to say about it. It wasn’t quite as good as I had hoped, but it was much better than I’d feared. The issues, as I mentioned were really only the rushed pacing and the convenience of some things.

Maz just happens to have Luke’slightsaber? Oh, that’s a story for another time is it? So you’ve definitely got an actual reason have you? It’s definitely not just a convenient plot point because you couldn’t be bothered coming up with a decent way for the saber to come into their possession. Please don’t try to excuse it with ‘the Force did it’. Had Rey found herself there without Han’s help, then I could buy that, but it was Han who thought that was the place to go. That’s a little far fetched even for the Force, I think.

And Rey just happens to be able to do a Jedi Mind Trick completely out of the blue when she shouldn’t even know that such a thing exists. She doesn’t even know she can use the Force. My guess is that Kylo Ren inadvertently awoke the Force within her when he delved into her mind. Perhaps her getting into his mind too somehow imprinted some knowledge of the Force on her, but I don’t know. It seems far too convenient.

R2D2 just happens to wake up in time to show them where to find Luke? Okay, that one is more interesting. It happens to coincide with Rey arriving at the Resistance base. Perhaps Luke knows about her and has him waiting. But there are things wrong with that theory. First, Rey is about 6 when she’s left on Jakku. Unless Luke is the one who dumped her there, how would he know about her and have R2 waiting for 20 years before waking up for her? Second, Rey isn’t there in front of R2, so how would he even detect her presence? Is he Force sensitive too?

Kylo Ren lightsaber

I really wanted Rey to be the Force sensitive one, though I’m not sure why, so I was glad when she started to hear the whispers and cries and I recognised it as the Force speaking to her. I liked Finn more than I’d expected, but I couldn’t imagine him become a Jedi.

I can’t help but feel that Chewbacca should have gone on a rampage after seeing his friend killed, rather than getting a bit upset and then kind of never being seen for any proper length of time again. I think Han should have fallen onto the bridge, not off it, and then Chewie should have fought his way through Stormtroopers to get to his body. However, it was a bit of a sad death. It should have been more sad than ‘a bit’, though, and I didn’t really feel it until the Leia/Rey hug (how did Rey even know that was Leia?), and that was thanks to the music. And why did Chewie And Leia – the two people who care most about Han – completely ignore each other? Shouldn’t it be them hugging?

I don’t know what else to say – I need to see it again. At the moment, in my mind, it’s mostly just a mess of action sequences cobbled together into a film.

It’s very good, and I want to see it multiple times again, and I very much want to see Episode VIII now.

Last thought: is Snoke a Sith? Or something else? And if he is, could he even be the apprentice? What if he has taken Kylo as his own apprentice in preparation of confronting his own master? …Probably not.

Why Frozen Is So Overrated

Elsa & Anna, Frozen

This article/rant was originally written for Uproar Comics.

I know it’s been a long time since Frozen came out, but I still hear about it almost every damn day.

First of all, I want to be clear: I did not hate Frozen. It’s fine. It’s okay. It’s decent. But that’s about all it is. The reason it annoyed me so much has more to do with the hype around it and garbage claims, such as it being a new classic and the best Disney film since The Lion King, than the film itself being bad. I went into it thinking it was going to be pretty damn good, at least. I then spent the entire film thinking ‘When does it get good?’ until the credits started to roll.

I enjoy a good, clean, innocent animated film about as much as I enjoy a good Die Hard or Superman or Batman Begins, so it’s annoying when they overreach and don’t quite make it. Now that I’ve reached my weekly quota of ‘annoyed’s, here are the main things that got to me. Remember, I could also point out things that were good about the film, but this is about the things that contribute to it not being nearly as amazing as a surprisingly large number of people seem to think…in my ever so humble opinion…

Spoilers ahead (obviously)!

First of all is the spark of the film’s conflict. Elsa, a little girl imbued with some kind of ice magic, accidentally shoots her little sister, Anna, in the head with said magic. This results in…brain freeze? The parents, after bursting in with ‘What the shit have you done this time?’ already on their tongues, take Anna and Elsa to a family of rock trolls. The old man of the family is the typical wise character who is the only person who can help.

His solution is to take away Anna’s memories. She won’t even remember that Elsa has this ability. Apparently this is ‘for the best’, because although Elsa has the power to create ice and snow from nothing, the power to say ‘No I won’t perform magic for you, Anna’ is beyond her grasp.

This is where my expectations of the film were challenged by the reality. The supposedly loving father proposes that, in order to prevent the danger that the troll tells them about, they’ll lock up the palace, fire most of the staff, and not let Elsa engage with anyone ever again. Not even her sister. This is a fantastic message to children, I think. If someone is different, shun them and lock them up. The final nail in the scene’s coffin was the supposedly ‘wise’ little troll saying absolutely nothing about this ludicrous idea.

Then, of course, after stating multiple times that she needs to learn to control the ability, they proceed to…do nothing at all to help her learn to control the ability. They even come up with a ‘cute’ rhyme about concealing and ignoring her powers! And it’s not even as though all this is portrayed as stupid/foolish/irresponsible/bad parenting!

The entirety of the problems in the film could have been avoided with some half-decent parenting and common sense. The whole premise of the intro scenes is that both children are completely and utterly isolated, even from each other, and again it isn’t shown as being wrong in any way, just a bit of a shame. Poor things.

And why does Anna keep trying to engage with Elsa? I’d have given up a long time ago on the moping older sister who seems to want nothing to do with me and just keeps telling me to go away.

Then the parents die. And who cares? Seriously? Does anyone actually care? They aren’t in it enough to care, and they do nothing worthwhile with the screen time they have, so who cares?

And there are too many songs, damn it! It must have been about one song every ten minutes. Considering each of those is a couple of minutes long, that’s a lot of singing, even for a musical animated film. Granted, I’m more used to non-musical Pixar films, but it seemed excessive.

And now we come to the ‘modern day’ and we’re reintroduced to the boy and his reindeer who somewhat pointlessly kicked off the film. And I kind of wish we aren’t. Kristoff talks to his reindeer, Sven, and then proceeds to talk back to himself on behalf of Sven, in a different voice. This is…horrifying. It’s not funny. It’s not endearing. It’s cringe-worthy, it’s weird and frankly, it’s creepy.

Kristoff, Olaf & Sven, Frozen

In fact, I’d go so far to say that the only amusing characters in the film are the Duke of Weselton, Olaf the snowman, and the shopkeeper near the start. Note how I say ‘amusing’, not ‘funny’.

Now, it’s coronation day, as Elsa has come of age. It’s not entirely clear what age this actually makes her, but since everyone in this kingdom is apparently American (except for the duke, who we’re meant to dislike, so naturally he’s English), we’ll say she must be 21. This makes Anna 18 years old. Anna bursts into yet another song. This time it’s about how she might meet ‘the one’ at the coronation. This is fifteen minutes into a film that has been lauded all over the internet and by critics everywhere as a big step for feminism. It’s a film where the princess (or queen) doesn’t require, or indeed have, a prince or knight in shining armour to rescue her. Yet it takes only fifteen minutes for one of the two lead characters to have a song dedicated to desperately hoping to fall in love.

And of course, she does indeed fall in love. She meets a prince, naturally, and falls in love there and then, and they get engaged the same night. Hans is, according to the Disney wiki, about 23. The film has no qualms with outright stating that he is a man. Not a boy or teenager. A man. Engaged to an 18 year old. There are worse things, of course, but it’s quite an age difference for a Disney film to have no problem with. Kristoff is 21 (remember that weird voice he puts on? …at 21 years of age…). He and Anna later fall in love. Better, but it still just has a slight hint of inappropriateness. Of course, if coming of age makes Elsa 18, then…well, let’s hope not.

And speaking of Prince Hans, I don’t like to be snobby or whatever, but teaching children that princes say things such as “‘cause, like…’ annoys me. And now I’ve surpassed my quota.

Next, due to a confrontation with Anna, Elsa decides that the way to deal with her problems and responsibilities is to run the f*** away. In the process, she freezes the entire city and the port. But it’s okay because, even though her worst nightmare has just come true, she’s suddenly happy. She’s all smiles and building snowmen. Snowmen that inexplicably come to life. ‘Cause it’s, like, totes believable (what? Princes talk like that, why can’t I?) that after more than a decade of trying to suppress the magic, one minute in the wilderness and she wants to test her limits. While singing.

And while I’m on that, I think the only reason the song that the film is known for (‘Let It Go’) is more than just decent only because (the quite amazing) Idina Menzel sings it. That said, it has grown on me a touch. A TOUCH!

Meanwhile, Anna decides that she has to go after her, frankly, complete b**** of a sister. Let’s remember that, at this point, Anna has spent more than ten years being told by her sister to ‘go away’. Isolated from her and because of her. She brings the news of her engagement to Elsa only to be told the marriage won’t happen. Not because of the age difference or the fact they’ve just met, though. Because of Elsa’s own issues. And now, Elsa has frozen the whole damn place and run away, leaving Anna to manage the entire kingdom and deal with the people who think the family is cursed or monsters. So I think the insult is fair.

But despite that, Anna goes after her, leaving Hans in charge. Yes, leaving a man she met just that day in charge of her entire kingdom. Smart. Then of, course, when Anna’s horse returns without her, Hans leaves too. Who the absolute hell is in charge then?!

What is Elsa meant to be here? It’s hard to feel sorry for her when she’s so busy feeling sorry for herself. She’s too selfish to care about her sister, though she happily uses the excuse of her running away being for Anna’s sake. She endangers who knows how many people in her running away. Hits Anna with her ice magic again, though accidentally. She even creates a snow monster to throw Anna and Kristoff out of her new ice palace, and the thing arguably tries to kill them.

It seems to me that she’s meant to be some variation of the typical evil witch/queen. Which is quite good, if it’s the case. To have one of the two main protagonists verging on becoming bad, even if there’s never any real chance of it happening.

There are a couple of places where the film tries to use…I’m not even sure what term to use. Young person…internet language? Kristoff is given just enough time in the midst of some action to say ‘well, that happened’. Okay… That’s, what…amusing? Was I supposed to find that funny? That meaningless statement?

Next, because Anna is visibly affected by Elsa’s unintentional attack, Kristoff takes her to the rock trolls. Apparently they took him in when he was little. He doesn’t seem to put two and two together, however, and work out that the two little girls he saw the trolls heal that time are the same two he’s helping now.

Naturally, their arrival sparks off another song. This time, the rock trolls are assuming that the two are in love and try to marry them. Since the big thing about Frozen is the whole empowered females and no man to the rescue stuff, why are there these other ridiculous tropes? Why is it okay that the trolls assume that Kristoff just happening to be in the company of a female means that they have to get married? Not to mention the usual tired crap where said female is perfect, while the male, simply due to being a male, needs no end of ‘fixing’.

I could keep picking out little things such as the treasonous act of imprisoning the queen, but I’ve covered the main irritants.

There are, of course, good things about the film too. The snow looks nice. I liked how Hans turned out to be a villain and not the stereotypical prince charming. I particularly liked the twist on the typical act of true love being the only thing that could save Anna. Not only was it not that kind of love, but the act was performed by Anna herself to save her sister’s life. And that scene was done pretty well, too.

Elsa & Hans, Frozen

Overall, I was fairly disappointed, and intended never to watch it again. Only being asked to write this made me watch it a second time. I did enjoy it a little more the second time round though.

I could have gone into the more potentially serious repercussions of making out that this film is such a big step for feminism, but there are plenty of better-written blogs already out there dealing with such things. Besides, as a man (yes, I’m sure you’re surprised that a man just ranted for 3 A4 pages about a Disney animated musical), I’m not in the best position to argue about these things.

I don’t normally do it, but I’ll give it a rating, since I have now ranted about it at length. It gains a point for the twist on the act of true love. It gains a point for Idina Menzel. It would gain another point for what appears to be a gay couple and their children, but there seems to be a lot of argument about whether this is really the case. The fact that Disney doesn’t have a great history of being quite so…open-minded does seem to make it less likely, but I’m fairly sure they did sneak in their first gay couple, even if the shot was only about a second long.

6/10

P.S. Tangled was much better!