Authors Give Back

POSTER ALL

I should probably have written about it before, since it’s already been going for a month, but Smashwords is running a sale during the pandemic to help people stay sane. There are huge discounts on a large number of books, which can be downloaded for any e-reader, including Kindle. This sale, unless it is extended again, will be running until May 31.

It would be nice for authors, in the same position of decline in work and income as everyone else, to see a rise in downloads through this and other legitimate sites, rather than on torrent sites. And don’t forget to take a couple of minutes to post a review when you’ve read them; it only takes a small effort to support all of the authors here providing their hard work for drastically reduced cost, or even free!

Click here to start browsing this vast library of discounted books.

My own books are all anywhere from 30-100% off:

TwitterHeaderGhosts

Battles of Hastings

This time around, the decision was made not to release Wyrd Worlds III, the science fiction and fantasy anthology I was a part of the first two times. Instead, several of the authors involved in those anthologies are releasing short stories to coincide with the 950th anniversary of the Battle of Hastings.

These stories are already up for pre-order, so you can make sure to have them in your collection on the day (14 October).

THE BATTLES OF HASTINGS, BY STEPH BENNION

The Battles of Hastings, by Steph BennionWho really won the Battle of Hastings? Eighteen-year-old Jane Kennedy, a twenty-first-century Chicago girl on her first field assignment, had expected a simple mission to gently ease her into the time-bending realities of her new job. Yet here she was, lying semi-conscious amidst the wounded and dying of a particularly gruesome battle, wondering what the hell she had let herself in for. In this novella based on Jane’s memoirs, follow her strange journey through multiple realities as her fellow time travellers each realise they come from a future with a different past. Is there a rogue on the loose out to change history? The Battles Of Hastings is a romp through alternate time lines in England 1066 to mark the 950th anniversary of the invasion that shaped Britain and Europe today.

PRE-ORDER NOW FROM SMASHWORDS

 

THEY MARVEL AT THE STAR – L J HICK

hastings-lj

Thomas is a member of the Fyrd and is recruited into Harold Godwinson’s army to confront Duke William II of Normandy. He is befriended by a blond-haired man called Kauko as they march to war. Thomas has no time for lords, kings or gods of any kind but Kauko seems to have a large amount of time for Thomas. Why is Kauko so interested in the welfare of a farmer’s son, and just what does he intend to do with him? As the relationship develops and the pair of them confront the stupidity and darkness of war, Thomas comes to realise that they did not meet by chance. In fact, Kauko has been preparing for this for a long time.

PRE-ORDER NOW FROM SMASHWORDS

 

NORMAN BLOOD – BARBARA G. TARN

hastings-barbNineteen-year-old Robert Malet followed William the Bastard to England to claim the English throne. The battle near the small town of Hastings is the beginning of the Norman conquest of England, but also of Robert’s second life.
A vampire in 12th century Europe traveling, fighting and meeting his siblings in darkness, changing names through the years when his mortal life is gone.
Follow Robert Malet, Brother Geoffrey, Robert Capuchon and Mercadier through the years. History and fantasy based on medieval chronicles for a Vampires Through the Centuries novella.

PRE-ORDER NOW FROM:

SMASHWORDS

KOBO

AMAZON

 

EADWEARD – A STORY OF 1066 – VICTORIA ZIGLER

hastings-victoriaIt’s October 14th 1066, and King Harold’s Saxon army is about to go in to battle against Duke William’s invading Norman army. Among the ranks of the Saxons are two boys who shouldn’t be there: Eadweard, and his best friend, Cerdic.
Daydreams of becoming great war heroes had the boys convinced to disobey their Fathers and go to war, despite the possibility of punishment if they were caught. Now it’s time for the battle to begin, and Eadweard is starting to wish he’d stayed home after all. But it’s too late to turn back now, and Eadweard finds himself witnessing the events of the battle that would later be called The Battle Of Hastings, and learning how different from his imaginings the reality of war actually is.
*Note: This is a work of fiction, which is based on actual events. It tells the story of the battle between King Harold’s Saxon army and Duke William’s Norman army, which took place a short distance away from the town of Hastings on October 14th 1066, in a place now known simply as Battle. Though this is a children’s story, the recommended reading age for this book is eight years and over, since it is a story that takes place on a battlefield, and therefore contains scenes of violence that are not suitable for younger, or more sensitive, readers.

PRE-ORDER NOW FROM:

SMASHWORDS

BARNES & NOBLE

APPLE iBOOKS

 

New Cover

Just a quick update to say that I have changed the cover for the ebook version of Acts of Violence to fit the new paperback version (available soon). There’s a little man and everything! Here they both are:

Acts of Violence paperback cover

Paperback Cover

Acts of Violence eBook cover

Kindle Cover

Kindle Direct Publishing Formatting Guide

E-Book

 

I recently wrote a guide on writing a book, and in it I said that I would write a guide to formatting for KDP (Kindle Direct Publishing). This will be vaguely similar to my Smashwords formatting guide, but simpler.

I’ve heard of plenty of people using the simple, automated process that KDP seems to expect by default, but to be absolutely sure that no issues will arise by the conversion process, I convert my Word file into an HTML file first. Doing so means that, so long as I make sure only HTML tags that the Kindle recognises make it through, what comes out the other end of KDP will be exactly what I want. The only errors possible in this way are any made by me.

Most people think that because this is done through HTML, it is therefore over their heads and far too hard and technical. In reality, HTML is a lot easier to grasp than you probably think. More to the point, you don’t really need to know HTML; you simply need to know what HTML tags should and should not be present in your file.

What You Will Need:

  • Microsoft Word (it shouldn’t matter which version, and if you are using any other program, it should be the same principles – you may simply have to look harder for the menu options I mention)
  • Notepad++ (free here)
  • Dreamweaver (or another HTML editor)

Or

  • Windows Notepad (expensive web design software isn’t really necessary)

What We’ll Be Doing:

As with the start of the Smashwords formatting guide, we will start by tagging and then removing any and all formatting. Or at least, so far as Word will allow.

We will then save as a web page, telling Word to keep out the clutter. Word will ignore us and leave in lots of pointless crap we don’t want or need, so we will take the file to Dreamweaver or your equivalent and remove those unnecessary tags.

That’s it.

To see the HTML tags supported by the Kindle, click here. If that looks daunting, we’ll be using very few of them anyway. This is a list of the most commonly used tags. Much smaller.


LAYOUT

At this point, you should probably have the book laid out the way you want anyway, but if you haven’t then this is a decent order:

  • Title
  • Copyright
  • Table of Contents
  • Author’s Note
  • The main content
  • About the author
  • Anything extra

Of course, there’s a good chance you won’t want an author’s note, and a table of contents isn’t necessary.

If you’re unsure what kind of copyright page to put in, it can be very simple, or it can go a bit further, like mine:

Copyright © 2012 Ross Harrison
Cover copyright © 2012 Ross Harrison
Cover design by Cui Yuan
The right of Ross Harrison to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents act 1988.
All the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the author.

NOTE: If you are doing this after formatting for the Smashwords edition, make sure that the line ‘Smashwords Edition’ isn’t still in your copyright information.


EM EN EMs

You will want to make sure your em dashes and en dashes are done right. While we’re at it, we might as well make sure your ellipses and quotation marks are right. The latter two won’t look any different on Kindle (actually, the quotation marks may look different on the more modern Kindles), but the dashes will.

If you’ve had the following options selected while writing, and Word has automatically changed your dashes and whatnot, then you can skip this bit.

  1. Click on the big yellow button in the top left of Word, then Word Options at the bottom of the drop down list (in earlier versions of Word, click Tools and then AutoCorrect Options, then ignore step 2)
  2. Click Proofing and then AutoCorrect Options
  3. In both the tabs AutoFormat and AutoFormat as You Type, make sure the options ‘Straight Quotes with Smart Quotes’ and ‘Hyphens with Dash’ are checked

AutoCorrect

Click OK until you’re back on the manuscript. Now we’ll use Find and Replace:

  1. Press Ctrl+H to bring up the Find and Replace window
  2. Find: “ and Replace: “ (Double quotes will automatically change to the nicer, curved ones)
  3. Find: ‘ and Replace: ‘
  4. Find: – and Replace ^+ (This creates an em dash)
  5. Find: – and Replace ^= (This creates an en dash)
  6. Find: … and Replace: … (In Find, type three full stops (periods). In Replace, press either Ctrl+Alt+. or Alt Gr+. for a proper ellipsis)

PRESERVE FONT FORMATTING

In order to make it a little easier when we get to the HTML editing part, we’ll remove all formatting from the document. This means that italic, bold, and underlined text will become normal text.

The problem with this method is that if you had text in italic, bold or underlined, and then deleted it, there may be white space with one of those still applied to it. This won’t matter (except in the case of underline) in the finished product, but I like to keep things as clean and tidy as possible, and so I don’t want that. Because we’re using Find and Replace, you can get around this problem by replacing one instance at a time, ensuring that you skip over anything that isn’t meant to be kept italicised, bold, or underlined. It could get tedious, but you probably shouldn’t have very much of this in the book anyway and I highly recommend doing it this way to ensure no issues.

First, press Ctrl+H to bring up the Find and Replace window. Remember not to type the quotation marks in the following:

– Italics:

  1. Click inside the Find box, then press Ctrl+I and it will say ‘Font: Italic’ beneath the box
  2. Leaving this box empty, now click in the Replace box and type ‘[i]^&[/i]’
  3. Go through one by one, or click ‘Replace All’ (see above)
  4. Click in the Find box again and press Ctrl+I until the format line beneath the box disappears

– Underline:

  1. Click inside the Find box, then press Ctrl+U and it will say ‘Underline’ beneath the box
  2. Leaving this box empty, now click in the Replace box and type ‘[u]^&[/u]’
  3. Make necessary replacements
  4. Click in the Find box again and press Ctrl+U until the format line beneath the box disappears

– Bold:

  1. Click inside the Find box, then press Ctrl+B and it will say ‘Font: Bold’ beneath the box
  2. Leaving this box empty, now click in the Replace box and type ‘[b]^&[/b]’
  3. Make necessary replacements
  4. Click in the Find box again and press Ctrl+B until the format line beneath the box disappears

If for some reason you want to enclose your formatted text between something other than ‘[i]’, etc, you can; the ‘^&’ is the important part. That said, don’t try to be clever and use the HTML tags of ‘<i></i>’, etc, because Word will assume later on that you want it to literally look like that, and replace those brackets with code to display the brackets, rather than making them said tags… Understand? In other words, the result will be ‘&lt;i&gt;Text&lt;/i&gt;’.

Preserving Italics

Do the same for anything else that will need attention, such as chapter headings (except not i, u, or b).


NUKE IT

Strictly speaking, this step isn’t entirely necessary, but it will cut down on the clutter when we get to the HTML editing.

  1. Open Notepad++ and create a new file if necessary
  2. In Word, press Ctrl+A to highlight everything, then Ctrl+C to copy it
  3. In Notepad++, press Ctrl+V to paste in your manuscript

It will look confusing and messy, but that’s fine. Don’t try to change anything. Let’s make it slightly less messy:

  1. Press Ctrl+F and click on the Replace tab. Select ‘Extended’ in the ‘Search Mode’ section at the bottom
  2. In the Find box, type ‘\t’ (without the quotes). Leave the Replace box empty, making sure there is no blank space by default, and click Replace All. This deletes tabs
  3. In the Find box, replace the ‘\t’ with ‘\n\r’. Still leaving the Replace box empty, click Replace All again. This will delete blank lines. NOTE: You may need to perform this step again after step 6
  4. In the Find box, replace the ‘\n\r’ with ‘ ‘ (two spaces), and in the Replace box, type ‘ ‘ (one space). Click Replace All. This deletes double spaces
  5. Close the Find and Replace window
  6. Click Edit -> Blank Operations -> Trim Leading and Trailing Spaces. This will delete space before and after paragraphs

You work will still look confusing, but a little less messy. If there are any blank lines, perform step 3 again.

Deleting Blank Lines

Deleting Blank Lines


FLYING VISIT TO WORD

After saving your Word document, as a new version of course, close it. Now create a new Word document.

In Notepadd++, press Ctrl+A to select everything, and Ctrl+C to copy it. Now go to your new Word document and press Ctrl+V to paste your manuscript in.

DON’T TOUCH ANYTHING!

Now click the big yellow button in the top left (or File) and then Save As. Save in whatever location you want, under the book’s title, but save as file type ‘web page, filtered’ and add an ‘L’ (but lower case) to the end of the file extension. In other words, it should read ‘Your Title.html’.

Close everything.


WEAVE YOUR DREAMS

Now open your new web page in Dreamweaver (dragging it over the Dreamweaver desktop icon is the simplest way), other editor, or simply Windows Notepad.

If you are familiar with HTML, you’ll probably be relieved at how little code there is. If you are not familiar, you may be worried at how much code there is. The good news is, most of it is the same little bit of code recurring over and over, so it’s easy to get rid of.

To begin with, you’ll find things a lot easier if you understand that almost all HTML tags have an opening and a closing tag. For example, the paragraph tag opens with <p> and closes with </p>. The closing tag always has that forward slash.

First thing to do is find the opening tag ‘<style>’. In Dreamweaver, and possibly other editors (which I will now stop referring to because it’s getting annoying), the tag is in pink font, but obviously in Notepad it won’t be. Highlight the whole style section (remember, that’s from <style> until </style>) and delete it.

HTML Start

That gets the main eyesore out of the way, and you’ll now be able to see the start of your actual content. Let’s start at the top. All that needs to be at the top is:

<html>
<head>
<title>(Your Book's Title)</title>
</head>

So delete anything else and correct the title if need be.

The next thing should be the ‘body’ tag, but it has unnecessary rubbish in it, along the lines of ‘lang=EN-US’. Delete that, and the space before it, so that the tag reads simply <body>.

After the body tag, the next thing you should see is the very first bit of text of your book, preceded by <p>. Delete anything between the body tag and this. In my case, the only remaining thing in between is

. Divs have no place in our particular HTML file.

Next comes a simple but time-consuming process. We need to delete all of the unnecessary code. In the following bits of code, yours may read slightly differently to mine, so make sure to copy and paste from your own file and not this guide. At the moment, what we’re aiming for is to leave every paragraph with only the

tags on either side.

For example, the first paragraph of my first chapter looks like this to begin with:

As his nose cracked under my knuckles, I reflected on how much I hated violence. Not violence stemming from my own unresolved anger issues. That I was fine with. It was violence against women that I hated. I didn’t know why, but the prettier the girl the more I hated it. Maybe I was shallow.

It should read simply:

As his nose cracked under my knuckles, I reflected [...] Maybe I was shallow.

You’ll see that the MsoNormal rubbish is at the start of every paragraph, so it’s easy to get rid of a lot of that clutter:

  1. Highlight ‘ class=MsoNormal‘ (including the space, but NOT the right-hand bracket) and press Ctrl+C
  2. Press Ctrl+F (or Ctrl+H in Notepad) to bring up the Find and Replace box
  3. In Dreamweaver, make sure the ‘Find In:’ box says ‘Current Document’ and the ‘Search:’ box says ‘Source Code’
  4. Click in the Find box and press Ctrl+V (it may already be there in Dreamweaver)
  5. Make sure the Replace box is empty (that includes any blank spaces) and click Replace All

This will take around 30 seconds, perhaps a minute, maybe a little longer in Notepad. Just make sure to save after everything you do, especially with Notepad, as it can be a little temperamental.

You can probably guess what is next.

  1. Highlight ‘‘, this time include both brackets. Depending on where you’re from, this might say something slightly different, such as ‘EN-US’
  2. Open Find and Replace and repeat the above steps
  3. Now do the same with

Now it looks a lot less untidy. It’s mostly your text, with the odd blue (unless you’re in Notepad) HTML tag dotted about.

Go to the very end of the file. After the final

, it should look like this:

</body>
</html>

Delete that closing ‘div’ tag.

This should conclude the tidy up, because we took it into Notepad++ to get rid of as much formatting as possible. Just in case, though, you should run a search for the following tags and delete them if you find any. Remember to also delete the closing tag. After this, scan it all to see if anything catches your eye. Remember, except for the front matter – which we’ll get to in a minute – you should only see <p> in front of your paragraphs, and </p> at the end.

  • <div
  • ‘<p ‘ (that’s a space after the ‘p’. If you find any paragraph tags with more than just the ‘p’, correct it to simply <p> – there should never be a space)
  • <span
  • &nbsp; (replace these with ‘<br />’ – I’ll mention this again later)

THE REPLACEABLES

Don’t steal that title, it’s for my Expendables rip off with washed up TV stars. And I’ll sue you.

You’ll be wanting your italics, bolds, and underlines back now, I suppose. If you went through these in the Word document one by one, as I suggested, then you’ll be okay to use ‘Replace All’ this time around. If you did not, then you should probably do so this time. You may find that you have empty paragraphs dedicated to a closing bold tag, or some such. For the sake of tidiness, more than practicality, you might want to fix this. I’ll assume that you did take my advice the first time round though:

  1. Press Ctrl+F (or Ctrl+H in Notepad)
  2. In the Find box, type ‘[i]’ (or whatever you used for italics in Word)
  3. In the Replace box, type ‘<i>
  4. Click Replace All
  5. Now go back to the Find box and type ‘[/i]’
  6. In the Replace box, type ‘</i>
  7. Click Replace All

Restoring Italics

Now do the same process for the underlined and bold tags. Note, though, that there’s no point in putting the title or chapter headings in bold, because we’ll be doing that another way in a minute.

  • Underline: [u] and [/u] should be <u> and </u>
  • Bold: [b] and [/b] should be <b> and </b>

FURTHER FORMATTING

These are the basic tags, and others will rarely be necessary. If you need something that I haven’t covered, refer to the list of tags that Kindle accepts (link)(but not until the end of this guide). If you do, just remember to use the closing tags too (or you could leave a comment asking me).

UPDATE: Since originally writing this, it has become clear that using pixels as a unit of size for font, indents, etc., is not the best way. Kindle users can, of course, make the font whatever size they want, so messing with it isn’t a great idea. Because it is what I have used until now, I will leave it in the below examples, but consider these two points: 1) The basic font size doesn’t need to be set (the very next bit of code I tell you to put between the style tags), and 2) Where it is important to put sizes (such as the text indents), you can use ’em’ rather than ‘px’. Em will change the size relative to what the reader has selected – so a font size of 1.5em is basically 1.5x the font size they have selected. This is handy for things like chapter headings, if you don’t use h2, h3, etc. (coming up).

Paragraph indenting is simple to set up. Go back to the top and, in between the title closing tag and the body opening tag, put in the following:

<style>
p {font-size:12pt; text-indent:20px;}
</style>

This might be too small an indent for you, but you’ll be able to preview the file later, so unless you already know what you want the indent to be, just leave it like this for now.

The problem with this is that, in fiction, the first paragraph after a break shouldn’t be indented. What we just did says that the indent should occur every time the paragraph tag is used. To get around this, you can go to the first paragraph tag after every break and change that first tag:

<p> becomes <p style="text-indent:0px;">

If, on the other hand, you don’t mind having no indent for paragraphs (perhaps your work is non-fiction), then don’t insert the style bit at the top. Instead, if you find a paragraph that needs indenting, use the above code in the paragraph tag, but put ’20px’, or however much you want it indented.

Now, let’s insert page breaks (i.e. forcing a new page, such as at the end of a chapter). You’ll presumably want these between chapters, and after your title page, copyright page, table of contents page, etc. If you’re familiar with HTML, don’t get a carried away. This simple line of code is exclusive to the Kindle, so you probably don’t know it:

<mbp:pagebreak />

That space before the forward slash is intentional, of course. Always make sure to write your bits of code exactly as written here.

Next, you’ll want some blank lines. If we hadn’t taken the file into Notepad++, it would be riddled with iterations of &nbsp;. Instead of these, we want <br />. That’s a space between the ‘r’ and the forward slash, if it isn’t clear. You may want one of these, or two. In front of my title and copyright information, I’ve used three each to push said bits of content down the page to be more centralised. This doesn’t work with the older E-Ink Kindles, but seems to with the Kindle Fire tablets and Kindle for other devices, and I think it looks better like that. It’s entirely up to you.

The <br /> tag forces a line break. The forward slash tells you that it’s one of the few that doesn’t need a closing tag.

So, for example, the top of my first chapter looks like this:

<p>ONE | QUITTING TIME</p>
<br />
<p style="text-indent:0px;">As his nose cracked under my knuckles [...]

Well, actually, it doesn’t, because I have different tags on the chapter heading, but I didn’t want you to get hung up on that before we get to it.

Speaking of which, we might as well do that next. There are different ways of doing this. The most obvious is to use the header tags. That is, <h2> through to <h6>, getting progressively smaller. The <h1> is reserved for the title, so don’t use that. I would go for <h3> personally, but you may prefer <h2>. Anything beyond 3, though, will probably be too small. Again, you’ll be previewing this later, but if it helps at all, the section headings in this guide are <h2>, while the ‘What You Will Need’ and ‘What We’ll Be Doing’, back at the start, are both <h3>. There’s more of a difference on the Kindle though.
The header tags replace the paragraph tags, so the chapter I just showed you would read:

<h3>ONE | QUITTING TIME</h3>

You’ll probably want it centred, so that changes it to:

<h3 style="text-align:center;">ONE | QUITTING TIME</h3>

NOTE: The American spelling of ‘center’ is intentional. Don’t try to change any code to British English, because HTML simply isn’t written that way and it will stop working.

The way I have actually done my chapter headings is like this:

<p style="text-align:center;"><b>ONE | QUITTING TIME</b></p>

Why I did that…I have absolutely no idea. But I’ve done that with everything I’ve published on the Kindle. I have a vague recollection of something to do with a table of contents being automatically generated based on the header tags, but I don’t think that’s a thing. I couldn’t find anything about it when I Googled it. I can’t for the life of me think why I would have done that, but never mind. If you find any issues using the header tags, you can always come back and try it this way instead.

If you have any asterisks or other kinds of symbol for breaks, you’ll probably want them centred. This is as simple as centring anything else we’ve done so far. You’ll also want a space above and below the symbols, so it will look like this:

[...] end of section.</p>
<br />
<p style="text-align:center">* * *</p>
<br />
<p>Start of next section...

I’ll say a quick bit about some other tags you might use:

  • <blockquote> could be used for a newspaper clipping, or a quote from a TV channel, or something like that. It has it’s own margins and indents, setting it apart from the normal text. You can’t use the <p> tags inside it, so use <br /> to create new lines
  • <hr /> creates horizontal line all the way across the page, as seen breaking up the sections of this guide. If my content area didn’t have a fixed width, the lines would span the entirety of your screen. It requires no closing tag
  • <strike> formats the contained text as strikethrough
  • <sub> and <sup> create subscript and superscript

THE FRONT MATTERS

Now we need to format the front matter (i.e. the title page, copyright page, etc.). As I mentioned earlier, the title should be between the <h1> tags. You’ll also want it centred.

<h1 style="text-align:center;">ACTS OF VIOLENCE</h1>

Below this will be your name, also centred:

<p class="author" style="text-align:center; text-indent:0px;"><b>ROSS HARRISON</b></p>

You may have a series title to go above your title; do this the same way we just did the author name, but remove the ‘class=”author”‘ attribute.

Next is the copyright page. This is how I have done mine:

<blockquote style="text-align:center; font-size:10pt;">Copyright © 2014 Ross Harrison
<br />
Cover by Mark Williams, copyright © 2014 Ross Harrison
<br />
The right of Ross Harrison to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents act 1988.
<br />
All the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.
<br />
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the author.</blockquote>

The <br /> tags could easily come at the end of the sentences, but I broke it up to make it clearer for this guide. I made the text a little smaller too, for aesthetics’ sake.

If you have an author’s note, or anything else, it will most likely be done just like a normal chapter, except you may want it centred. By now, you’ll be able to work out how to do that.


TABLE OF CONTENTS

We’re nearly there now. The table of contents is pretty simple. First, create a page (using <mbp:pagebreak />) and simply copy and paste in your list of chapters. You should include the title page and anything that comes after the main content. Enclose each line in <p> tags.

Next, we need to create anchors and links to those anchors. Go to your first chapter heading and change the line to the following:

<h3 style="text-align:center;"><a name="Chapter 1"></a>ONE | QUITTING TIME</h3>

What you put after ‘name’ is up to you; it could be the actual name of the chapter. This is an anchor, which we can now link to from the table of contents. Do the same for the rest of your chapter headings, title, and any other place you want the TOC to link to. In other words, put <a name="Name"></a> right before text, always inside the paragraph or header tags. Make sure not to use the same name twice.

Next, go back to the table of contents. We’ll now point each one to the right place. So, using the first chapter again, it will look like this:

<p><a href="#Chapter 1">One | Quitting Time</a></p>

The hash tag/pound sign goes in front of whatever you have named the anchor, without a space.

HTML Finished

Now save, go to where you have the file saved and double click it. If it doesn’t open in your browser, then something is probably wrong. It won’t look right in the browser, of course (not least of all because it won’t recognise the page break code), but you can test each TOC link to make sure they go to the right place.


AFTER CARE AND PREVIEWING

That should be pretty much it for the HTML side of thing. You are able to add images into the work, but that would make the guide even longer, and most people don’t have images. It also raises the delivery cost that Amazon charges. If, however, enough people are in need of help with images, I’ll add it to the guide.

Hopefully I’ve covered enough in this guide that if you need to do anything else, you can piece it together from what’s here. Otherwise, you can ask in the comments. If you require any special characters, simply copying them from Word and pasting them should do the trick; otherwise, here’s a list. Just make sure to preview to ensure it displays on the Kindle properly.

To preview your file, you can download the Kindle Previewer here. All you need to do then is click ‘Open Book’ and find your HTML file. The previewer will then convert the file into .mobi, which Kindle uses, and display it for you as it will on a Kindle. If you go to the top and click on the ‘Devices’ tab, you can switch between various kinds of Kindle to see the difference.

Kindle Previewer

Now that you have the .mobi (it will have saved in a folder in the same location as your HTML file), you can put it onto your own Kindle if you want. The save location will be slightly different depending on what device you are using, but for me, I simply plug my Kindle into the computer, open its folder, open the ‘documents’ folder, and drag the .mobi in. Then you’ll be able to open it on your Kindle for a better idea of how it will look.

Once it is published on Amazon, you’ll be able to download it for free (assuming you sign in to KDP with your main Amazon account), and know for certain that it looks how you want it to. In the very unlikely event that it doesn’t, you can easily update the file even after publication.


PUBLISHING

KDP

This part is pretty simple. Go to Kindle Direct Publishing and sign in with your Amazon account, or create one. On your Author Dashboard, click Add New Title.

The next page will ask you for the book’s details and those of the author. You will also upload the cover and HTML file here. Before you come here, you’ll need to have thought about both Kindle Select and whether or not you want DRM (Digital Rights Management) on your book. I have said a little about the former in the last part of my How to Write a Book Guide, but you’ll need to read about the latter for yourself. I always say no to it.

The second page is where you will price your book and choose your royalty rate. This is either 35% or 70%; each has minimum and maximum pricing requirements. You will also be able to enrol in Matchbook, which means if you have a print copy of your book on Amazon as well, you can give the customer a special price for the ebook if they buy the physical copy.

And…that’s it. Hopefully you found this guide helpful, and hopefully I’ve covered everything most people will need. If you have any questions, let me know in the comments.

Reviews and Amazon Rants

It means a lot to get good reviews. It means quite a lot to get a good rating, though slightly less than a well thought out review. It also means a lot when Amazon decides ‘f*** you, we don’t like you having nice things, so we’ll delete your best reviews’. Though it means a lot in a different way.

They’ve been doing this for a while now on Amazon itself, and since taking over Goodreads, they’ve started doing it there. I’m certainly not the only one noticing the reviews disappearing – and only ever 5-star reviews, it seems. I can’t speak for the deleted reviews of others, but the ones that have disappeared from mine have been from review bloggers, writing detailed, unbiased reviews. Not family members raving about how the books are the best things ever.

Amazon has claimed before that they won’t allow authors to post reviews on books in the same genre as they themselves write. Aside from the fact that this is pathetically stupid and is pretty much censorship, it doesn’t seem to be enforced. My best reviews are written by a sci-fi author, and they’re still there.

Other authors have contacted Amazon to demand to know why this is happening, and Amazon claim ignorance. They say that it’s most likely because of the reviewers removing the reviews, accidentally reviewing the book – I can’t quite get my head around that one – or leaving the site (Goodreads). That doesn’t quite allow for the fact that I asked one reviewer if she knew why her review had disappeared from my book on Amazon, she emailed Amazon to ask why, they said they would put it back, and then never bothered. So what the hell are they playing at?

But that’s enough ranting about the somewhat disgraceful Amazon.

I received one such review just the other day, from The Review Hart. I requested the review months ago – just after I published Acts of Violence, in fact. She scheduled me for August, and I forgot about it. With terms like ‘haunting’, ‘spectacular’, ‘gripping’, and ‘fantastic’ dotted throughout, the review turned out to be very much worth the wait. And it’s a 4-star review which means A) people are more likely to pay attention to it than a 5-star, and B) it’s less likely to be deleted by Amazon.

In fact, reading the review kind of made me want to read the book!

In other news, we have a more definite date for the next anthology, Wyrd Worlds II: September 20-21. Mine will be the first story in the book, and is a sequel to Kira.

Felinity – BBB

Felinity

An Anthology Collected By

Sammy HK Smith

Felinity, noun, plural fel-in-ities. 1. The quality of being cat-like. 2. A divine being, a cat.

Felinity Cover

Grimbold Books is proud to present our first Kristell Inkling, a collection of feline inspired flash fiction stories written by authors from all around the world.

This collection celebrates what we regard as the most important factor when writing: write foremost for pleasure. The stories showcased in this book are full of laughter, grit, odd contraptions and a lot of fur, with a loud purring nod to our beloved genres of science fiction and fantasy.

From A.F.E Smith’s unique twist on Schrödinger’s cat, to Joel Cornah’s world-jumping old queen, from Clare Neilson’s steampunk creation to Tina Closser’s dragon fighting dreaming kitty, these alternate feline worlds are bound to delight sci fi/fantasy readers and cat lovers alike.

Kindle

Paperback

Interview With A Contributor

WILL MACMILLAN-JONES is a fifty-something lover of blues, rock and jazz. He presently lives in Wales, a beautiful verdant land of myth with a rich cultural heritage. He does his best to support this heritage by drinking local beers and shouting loud encouragement at the TV whenever Wales is playing international rugby.

He has just fulfilled a lifetime ambition by filling an entire wall of his study with bookcases, and then (over)filling the bookcases. When not drinking beer and watching rugby, he remembers to write the occasional horror book or to add to his comic fantasy series, The Banned Underground. Links to all his work can be found on his website:

www.willmacmillanjones.com

Hi Ross. I don’t think that I’ve been on your blog before. Nice curtains…are they fireproof? Just asking.

Where do you live and write from?

Although I was born in God’s Own Land of Lancashire, I presently live and write in Wales. It’s a lovely, verdant, land full of myth, mystery, excellent beer and sheep. And hills. I walk on the hills a lot with my camera: I haven’t met a dragon yet, but there’s always hope, you know? Although knowing my luck the dragon would sound more like that Cucumberpatch fellow than Joanna Lumley.

Do you have a specific writing routine?

I have a very specific routine, yes. I turn on the computer, open the current document – or whichever opus I have decided to try and ignore that day, look at the blank screen or in extremis the last few lines written the day before, raise my hands above the keyboard with the fingers poised…and see what’s on Facebook this morning. Like everyone else I’m too easily distracted.

Outliner or improviser? Fast or slow writer?

I must be in touch with my feminine side, as the answer to both questions, is… both. Some works I have carefully plotted in excruciating detail. Others I have just set my eyes on the longer for final page and just gone for it… It’s the same with the writing speed. My second book, The Mystic Accountants, was completed to first draft in a little over a month. There’s a work called The Picture which I hope to complete in a few weeks which has been a year in the writing. For me it’s very much a mood thing: I write what I’m in the mood to write. That sounds horribly indisciplined, but because I write in different genres I’m always in the mood to write something.

What genres do you write, and which is your favourite?

I write fantasy; YA fantasy; comic fantasy; dark fantasy/horror and childrens’s books. This is why mood is so important to my writing: if I’m in a dark place it isn’t easy to write pages of laugh-a-minute gags ( a bored American once calculated that one of my books hit 3.2 jokes per kindle page – now that’s funny, the idea of someone meticulously adding up all the jokes. I never do that myself) and conversely, if I’m rolling around laughing I can’t write something scary.

Tell us about your contribution to Felinity.

The Hunt. The Hunt was easy. I woke up at three am one morning with the whole story there. All I had to do was to write it down, originally at about 1800 words. I had it easy, didn’t I? Can you imagine trying to get all of Zanadu down, in that complicated rhythmic structure in one go? No wonder the poor bloke forgot the ending, is it? Anyway, that was The Hunt. A dream. I just caught it as it passed by.

Felinity is inspired, obviously, by cats. Was it easy for you to find feline inspiration?

Is this where I get the chance to be catty about my ex? No? Oh well, please yourselves then. Any resemblance between the characters and real people is purely co incidental. And imaginary.

I have trouble keeping short stories short, but this is flash fiction – do you find it difficult to write something that’s so short?

No.

7a. A bit more than that?

All right. I actually write quite a bit of Flash. I thoroughly recommend it as a good discipline for writers, many of whom are inclined to run off at the mouth for ever, without thinking of the poor reader left to follow on as best they may. It’s also a great way of breaking a block. If you are stuck on a story, open a new file and stare at the blank screen until something comes out. Very likely it will be rubbish, and you’ll throw it away: but I have several book projects that have started as a piece of flash fiction and then grown. I did win a respected national Flash Fiction Competition in 2013, so it’s always worth trying your hand in the field.

What other projects do you have in the pipeline?

I’m under contract to produce two comic fantasy books in my Banned Underground collection a year until we hit twelve books, so there’s always one or two of those on the go. Plus I’m now aiming to finish one horror book and one children’s book a year as well, so that’s why I’m always writing, and wearing out keyboards.

Give us your important links!

I thought you’d never ask!

Websites:

willmacmillanjones.com Where you can see the full range of stuff I write, and see a bit more about me.

thebannedunderground.com Where my major comic fantasy series hangs out. Gags, excerpts, reviews, trailers, all the usual stuff we authors put on these sites to pretend we are interesting. Plus loads of book links.

willmacmillanjones.wordpress.com The blog, where I talk to other writers and occasionally muse about stuff.

Try these then:

The Satnav of Doom The Banned Underground #5: a serious High Fantasy involving a dwarf Rock N Roll band, some accountants who are also Dark Wizards, dragons, and some mystical beings who have turned their Fairy Hill into an International Merchant Bank. And an anarchic SatNav.

Snort and Wobbles:

Dragons are not real. Everyone tells you that. So what do you do when you are eight years old, and meet a dragon living at the bottom of your garden? You have the adventure of your life!

When Wobbles and her family move into their new home, she is delighted to find that a green dragon is living in secret at the bottom of the garden. But Snort the dragon is not the only one: underground a gang of Goblins have also made their home, and when they capture Wobbles’ big brother Jeremy, it is up to her and Snort to save him: before the Goblins roast him on their barbecue.

Written for those children who are just becoming confident in reading for themselves, and for those parents who (like the author) are addicted to reading bedtime stories to their children and grandchildren, Snort and Wobbles is a thrilling, captivating adventure for 6 – 10 year olds.

Thanks, Will!

Acts of Violence

As you may have gathered from the counter on the right ending its countdown, and from me saying several times, Acts of Violence is now available!

Acts of Violence is a semi-noir (though beta readers have stated there’s nothing semi about it) thriller. It is, strictly speaking, sci-fi as well, but there’s little enough of that for people with no inclination towards sci-fi to still enjoy it. Basically, it happens to be set in the same universe as the NEXUS series (though not a part of that series), but in a very low-tech, poor colony town so strongly fueled by crime that even the incessant rain can’t douse it.

Links:

Amazon UK

Amazon US

Smashwords (all e-formats)

Within the next week or so, Smashwords will also distribute to retailers such as iTunes, Barnes & Noble, Kobo, Waterstones, etc. But there’s no need to wait, as Smashwords itself has the book in nearly every conceivable format!

Acts of Violence Cover

My name’s Jack Mason. I made a mistake. Took home the wrong girl. Now she’s dead. Cut up. And they’re telling me I did it.

It’s the same cop that tried to take me down ten years ago. Now he’s coming at me hard. And he’s not the only one. Cole Webster, the city’s crime lord, thinks I stole from him. Broke me out of custody just to ask me about it. Then I killed his son. Now he really wants me.

Add to this equation a government agent, and I’m a real popular guy right now. Pretty much everyone I meet wants me dead, lawfully or otherwise. There’s nowhere to run. Nowhere to hide. I’ve got till morning to uncover Webster’s trafficking operation and take the heat off me. And all I’ve got to go on is a pissed off homeless girl with a thirst for revenge.

Guess it could be worse. Can’t quite figure how.

The Binding – BBB

The Binding (Chronicles of Azaria #1)

By

Sam Dogra

What do you do when you can’t trust your heart?

The Binding

All seventeen year-old Eliza Bryant wants is to avoid a Binding — the ancient spell that forces couples into a lifelong bond. It cursed her sister, and for the last two years it’s tried to claim her, too. Her monthly hiding ritual worked brilliantly, until the night she ran into Ryan, a mysterious bounty-hunter. Now Bound to him, Eliza must spend every moment at his side, else she’ll transform into an Unbound; a lifeless husk without mind or soul.

Unfortunately, Ryan’s not looking to settle, and Eliza is dragged into his crazy life on the run. Still, she’s not going to take this lying down. Between grappling with the false feelings conjured by the spell and fleeing an unseen enemy, she plans to find a way to break her Binding; a feat nobody’s achieved in two thousand years. The key to her freedom lies closer than she thinks, and it’s deeply connected to Ryan’s past.

Reviews:

4.5 Stars. This exciting tale for New Adult/Older YA crosses genres making it difficult to categorise in any one area. Set in another world it has elements of sci-fi, fantasy and a just touch of steampunk. The characters are magnetic and quickly draw you into this exciting world where curses and magic become real. This passionate tale becomes unstoppable leaving you devastated that the second instalment is yet to be published – not a cliff-hanger, just totally addictive writing. – Tracie, Goodreads

Awesome! Can’t wait for the next one!!! – Molly Bonville, Goodreads

The Binding, by Sam Dogra, is an excellent read, with superb settings and characterisation. I really cared what happened to the main protagonist and the first person point of view, really helped me to become immersed in the story. Only one minor criticism.The, use of the word “to” instead of “at”. For example: “Ryan looked to the moon”, or “I looked to my lap”. This jarred me a little, but apart from this nitpick, this is an almost perfect story and one readers of all ages will enjoy. Highly recommended. – Kate Jack, Amazon

Links:

E-book UK and US

Paperback UK and US

Sam’s…

Website/blog

Facebook

Twitter

Artwork

About the Author:

Sam Dogra

Sam Dogra is a junior doctor working in the UK, and is currently training to become a General Practitioner. Between reviewing drug charts and X-rays, taking blood, saving lives and getting grilled by consultants, she also writes fantasy fiction and is a fantasy artist. She has co-written ‘Fated: A Timeless Series Companion Novel’ with author Lisa Wiedmeier, and has also published her first novel The Binding, and its sequel, The Parting, with a third book in progress.

She’s widely traveled, and has enjoyed her visits to France, Germany, Norway, Greece, Egypt, Israel, Rhodes, Turkey, Cyprus, Lesvos, India, Dubai, Australia, Canada and Idaho, Washington, New York, Seattle and Alaska, USA.Her other main interest is fantasy art.

In what little spare time she has, Sam also enjoys reading, baking, shopping, watching movies and anime, astrology, video games, collecting cuddly toy animals, and photography.

More Wyrdness

Just a brief update.

Firstly, here’s an interview I did a couple of weeks ago and forgot to tell anyone about. Oops…

Secondly, Wyrd Worlds, the free anthology of which I am part of, is now up on Amazon (UK and US). So that rounds off its availability nicely. Amazon, Smashwords, and many other large online retailers such as Barnes & Noble, iBookstore, Sony, WHSmith, Kobo, etc. All for free!

Wyrd Worlds Cover

Yes, I know the cover blends almost perfectly into my background.

Healer’s Touch – BBB

Healer’s Touch

By

Deb E Howell

‘For Llew to heal, something must die’

Healer's Touch Cover

Healer’s Touch

BLURB:

Llew, a young pickpocket who lives as a boy on the streets of a wild-west mining town, finds her real problems begin when she survives the gallows. Forced to run, she persuades a group of fighters escorting a young girl to her wedding to let her travel with them across the badlands. On the journey Llew faces hostile tribesmen, desperate bandits and, the enmity of her own companions should they find out who and what she is: a girl, a fugitive, and a feared Healer. One of the fighters, Jonas, possesses superhuman prowess as a warrior, and carries the knife able to ‘kill the unkillable’; the knife that can kill Llew. Despite being of races at war for centuries, they are drawn to one another.

During the journey, they encounter Braph the magician, Jonas’ half-brother and potential nemesis. He pursues them as they journey across the sea to the continent of Phyos and at the moment Llew finally feels safe, he abducts her. He begins to take what is most precious to him: her blood.

Healer’s Touch is a mesmerising mix of fantasy, steampunk and Wild West adventure – and even a dash of romance!

EXCERPT:

“Llew!”

He gathered her to him. So alive moments earlier, now limp. All he could see was blood. It covered her hands, soaked her shirt and pooled on the ground. He clasped her chin, turning her to him. The touch sent a tingle through his fingers even as more blood gushed from her open throat and he jerked his hand away, letting her head fall back. His eye was drawn by movement in the grass. One of Llew’s hands had fallen to the ground and the grass around it was dying in an ever increasing circle.

Jonas swallowed down his revulsion and dumped her unceremoniously on the ground, jumping to his feet. In a daze, he reclaimed his knives from the corpses, taking them to the water’s edge to clean with vigorous sweeps of his fingers down the blades. He berated himself for even toying with the idea of getting involved with her. What did he really know about her? He knew her name. And now he knew all he needed to know.

He wiped the half-clean blades on his thigh, sheathed them in his vest and drew the big knife at his hip. He cradled it in his hands, watching the moonlight fly off as he tilted it back and forth. There was one purpose to this knife’s existence: to kill the unkillable. And there was no safer time to make an attempt on the life of an Aenuk than when they were already half dead.

Jonas turned from the water. The meadow was now like a hayfield. Each blade of grass, each leaf of clover, each dandelion had given its all to provide but a tiny fraction of the energy – jin, as it was known in Turhmos – needed to bring a person back from near-death.

She lay unconscious, but her breathing was steady now. He had limited time to act. He crouched beside her, knife hovering over her back right where her heart should be, assuming Aenuks had a heart. But this was Llewella. She wasn’t like the Aenuks he had faced on the Turhmos killing fields. She wasn’t trained to fight, to continue to fight, and to take the enemy with her when she faced final death. She was merely a girl doing what she had to do to survive.

ABOUT THE AUTHOR:

Deb E Howell

Deb E was born in New Zealand’s North Island, but her parents corrected that within months, moving south to Dunedin and staying there. Childhood nights were spent falling asleep to cover versions of Cliff Richard and the Shadows and other Rock ’n Roll classics played by her father’s band, and days were spent dancing to 45 LPs. Many of her first writing experiences were copying down song lyrics. She graduated to scientific reports when she studied a fungus in the Zoology department of the University of Otago, trading all traces of popularity for usefulness… then traded both for fiction.

Deb lives in Dunedin, New Zealand with her family and a menagerie of pets.

LINKS:

Purchase Links:

Smashwords (ISBN – 978-1-909845-08-4): £2.99/$4.99

Kindle UK / Kindle US (ASIN – 978-1-909845-07-7): £2.99/$4.99

Paperback (ISBN – 978-1-909845-06-0): £9.99/$18.99

Please note that both the ePub format (the Smashwords link) and the paperback are available from other outlets too. Just do a web search for the ISBNs to find them.

Deb E Howell:

Website/Blog

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Twitter