The Place For Ebooks

I thought I’d make a quick post to plug a blog by John Harold McCoy, author of The Absence of Harry.

John has put (and still is putting) together a list of self-published books available on Amazon. I’ve read some of these and I know for myself that some of the writing from the listed authors is extremely good. And of course my own book, Shadow of the Wraith, is listed, so I have to share!

Have a look at the list and see what takes your fancy: The Place For Ebooks.

Paperbacks Everywhere!

Well, not quite everywhere. Just two places, actually. I have finished the brain-aching set up with a new printer, which means I can now offer Shadow of the Wraith for the low low price of £7.99/$12.10!

Temple of the Sixth will follow at some point when my bank account has recovered from the print set up (and when I’ve determined if my bank is going to collapse or not).

For now, I’m prompted by the new availability to make a quick post detailing exactly where my various works can be found (or at least, where I’ve found that they can be found – I keep coming across more).

Shadow of the Wraith

Paperback cover

Paperback:

Amazon UK, Amazon US, Barnes & Noble, WHSMith. It can also be found in the Coleraine branch of Waterstones.

The paperback’s ISBN number is 9780957592902. Any book shop should be able to order it for you with that.

E-Book:

Amazon UK, Amazon US, Barnes & Noble, WHSmith, Kobo, Sony, Smashwords (multiple e-formats). Apple also sells it through iTunes.

Hardback:

Lulu. This is a special edition hardback, including some artwork and a sample of Temple of the Sixth. This sample hasn’t been altered since I published, and so is a little different to what is actually in Temple of the Sixth. I’m not sure how long I will keep this edition available.

Temple of the Sixth

Temple of the Sixth Cover

Paperback:

Amazon UK, Amazon US

E-Book:

Amazon UK, Amazon US, Barnes & Noble, WHSmith, Kobo, Sony, Smashwords (multiple e-formats). Apple also sells it through iTunes, but at the moment I’m having trouble with them so it’s not there.

Kira

Kira's Cover

E-Book:

Amazon UK, Amazon US, Barnes & Noble, WHSmith, Kobo, Sony, Smashwords (multiple e-formats). Apple also sells it through iTunes

Writer’s Block Ego

I wrote recently that the hardest thing about being a writer is not succumbing to the allure of the new book ideas that pop into your head pretty much daily. I think I was wrong. It is damn hard to have a lovely, shiny scene from an unrelated, as-yet unplanned book pop into your head and just jot it down somewhere and continue with what you’re doing. The temptation to open up a brand new Word document and start writing the book that contains that scene is huge, but if we as writers gave in to that temptation, we’d never finish anything.

Another obvious one is writer’s block. I’ve recently noticed a couple of people posting about how they’ve been unable to write for a couple of weeks. I think I’ve only once suffered from writer’s block, when I couldn’t for the life of me think how my characters were going to leave a room. I knew they had to walk out and go somewhere else. I knew where that somewhere else was. I just couldn’t put together the words to have them do it. Really, I should have just not had them go in the room in the first place. It ended up with me not writing a thing for a year. More recently, in my semi-noir thriller, I’ve struggled a little here and there, but really (thankfully) I haven’t suffered from proper writer’s block.

But the problem that no one really thinks of when they think of authors is reviews. It could be argued that it isn’t really a problem, but it’s certainly a something. The last review (at the time of writing) I received on Shadow of the Wraith got to me a little. It wasn’t particularly bad. It was three stars and the basic gist was that she liked it until about halfway through and then it lost a star because of the direction it then took.

The problem is when a reviewer says something that makes so little sense that you feel it must be addressed. But you can’t. To respond to any review, good or bad, invites all sorts of issues. From a simple ‘Well you thanked him, why didn’t you thank me?’ to people thinking you’re an unlikeable ass because you ‘argued’ with a reviewer. I’ve seen the latter happen with an author I know. She addressed a couple of points in a review in the hopes of preventing potential readers from being mislead, and it sparked a whole thing, and her ‘lashing out’ was reported on several blogs and websites.

I’ve had a few like that, but thankfully, the good ones outweigh them. I don’t mean reviews where the reviewer simply didn’t like the book. That’s fine, not everyone will. I’ll give some examples.

In this last review, the reviewer had two main problems. The first was that halfway through, my science FANTASY novel took a turn into ‘unexpected territory’ when it introduced some fantasy elements. Well…aside from the obvious fact that the genre kind of suggested that might happen, the only two fantasy elements I can think of are not all that fantastical. She noted that even the Force in Star Wars makes her cringe. To be honest, I don’t see why a book’s rating should suffer because a reviewer decided to read a book whose genre clearly suggests things that the reviewer knows they won’t like, and then they find things that are not to their liking. But that could just be me.

The second issue was one of my twists. She didn’t like that it came out of nowhere. Now, to me, a twist isn’t really a twist when you’ve known about it from the start. I hinted at it several times (I actually thought when I was writing that the hints might be too obvious), and there was never any cause to reveal it before that point anyway. She thought it was a very convenient way to get the character out of trouble. I think that was what she was saying, anyway. The way she put it confused me entirely. But I don’t really understand that idea. If I get so stuck that I have to come up with something completely over the top to get them out of trouble, then surely I can just rewrite, can’t I?

So she gave it three stars and my average rating suffered for it. But I can’t say anything. I can’t even ask if she could clarify the things that I didn’t understand, because that would be perceived by people as some kind of subtle attack.

Then there’s the outright lies. Or things that are so exaggerated that they just become lies. On Amazon, someone claimed that characters hop from planet to planet in a matter of minutes. Well, that’s just one of those exaggerations that you come out with and don’t necessarily mean to lie, but you just can’t do that when you’re writing a review for a book. Luckily, the few low star reviews I have are so ridiculous that the majority of people won’t take much notice of them anyway, but it’s still difficult to sit back and let it go, when you know that every word these people write could influence potential readers. But reviewers don’t seem to register (or perhaps care) that these reviews and ratings will be there forever and they will affect the book.

Of course, then there are the people who accuse you of plagiarism. I have someone on Facebook who claims I’ve stolen from TV and games. I haven’t seen everything he says I ripped off, but the things I have, I can’t really make sense of. Mass Effect? Well the only similarity I can think of is that the military is called the Alliance. Hardly unique to Mass Effect. Not to mention, mine is structured completely differently anyway. Stargate? Well, I have big platforms in space which open hyperspace to those ships without hyperdrives, and then a big pair of wing type things take them to their destination. They’re round, though, so I suppose that makes it identical to Stargate… But again, I can’t say anything.

I think that although some of it is what I said about every word people say about my work has the potential to affect its sales and its potential readers, a lot of it also comes down to ego. No one likes to be accused, after working hard on something for so long, of stealing from other things. No one likes the idea that people don’t like their work, inevitable and unavoidable as it is. We all like to think that we’ll spend our months or years writing our book, put it out there, and be praised constantly for how great it is. We know that’s not going to happen, but what does reality have to do with it?

So I think perhaps the hardest thing about being a writer is reading reviews. And keeping your mouth shut.

Smashwords Formatting Guide

Ok, it’s not a clever title, but that’s what it is. Quite a lot of people seem to have trouble with formatting their ebooks for Smashwords, so I am writing this guide. It isn’t exhaustive, but it details everything I’ve done for both of my novels and my short story, so I know it works (feel free to check this outrageous claim for yourself by downloading my works here…)! And I want to make it as simple and easy to follow as possible.

Because I was asked, I have made this post into a PDF, too. It’s not great, as I just saved this web page and edited it a little. But here it is (right click the link and ‘Save As’):

Smashwords Formatting Guide

For introducing me to Notepad++ and for simplifying the table of contents process, I’d like to thank Paul Salvette.

A disclaimer of sorts: I’d like to note that I will be assuming you are formatting a novel. I don’t know about the formatting of non-fiction, or how it differs. So if that is what you are doing, it will be up to you to know how it differs, and make those changes to the guide (it’s not difficult – just change the styles accordingly). Also, it’s always a good idea if you have, or can borrow, some kind of e-reader to test the finished product on to ensure everything looks the way you want it to look. Lastly, this is only a basic-formatting guide – I’ll tell you how to have italics, bold, underlined, images, but nothing particularly fancy. If you want fancy, this guide can still be your base, but you’ll need to find out the rest elsewhere! The more fancy you get, the less I can guarantee it’ll pass the Meatgrinder, though.

Apologies for the rough red circles round things in some screenshots – I don’t have a tablet or a mouse, and using the laptop’s trackpad to draw circles isn’t easy.

NOTE: Some screenshots here of Word will be very slightly different to what you see, because I used a new document for most of it, and didn’t save as a Word 97-2003 document (which you have to do), which minutely changes the layout of some menus. By minutely, I mean that I may say something is on the left of the toolbar, but you’ll see it on the right. Nothing more major than that.

What We’ll be Doing:

What we’re doing here is known as the ‘nuclear option’. It means getting rid of every last bit of formatting, and starting again, basically. Smashwords’ Meatgrinder (their converter) isn’t all that fantastic. It’s not Smashwords’ fault – there’s a lot of different formats for it to convert your manuscript into, so the more messy it is, the harder Meatgrinder finds it to get everything right. This guide will get you into the Premium Catalogue, making your ebook available from lots of websites, such as Barnes & Noble, Kobo, iBookstore, etc.

Basically, all we’re doing is cleaning up the Word document so that it will pass the Meatgrinder and Autovetter. So you’ve probably spent ages making your manuscript look pretty with different formatting, but unfortunately, all that has to go. The less formatting, the lower the chances Meatgrinder will mess things up for you.

NOTE: I will be using quotes around things you need to type in order to make it clearer. Please don’t be a fool and type the quotes too! I will also try to put anything you need to click on in bold. Hopefully that will help too. Click the screenshots for a larger image if you need to compare with what you’re seeing.


What You Will Need:

  1. Microsoft Word (I’m using 2007)
  2. Notepad++ – you can other text editors, but I’ll be showing you how to get rid of everything you don’t want with this one. It’s free here

Special Characters:

To make your work look nicer, you’ll want that nice curved speech marks and proper dashes and ellipses and so on. Word should automatically do this as you go. Skip this section if you already have these, otherwise:

  1. Click the big yellow button in the top left, then Word Options at the bottom of the drop down list
  2. Click Proofing and then AutoCorrect Options
  3. In both the tabs Autoformat and Autoformat as You Type, uncheck all boxes except ‘Straight Quotes with Smart Quotes’ and ‘Hyphens with Dash’. NOTE: If you have Ordinals or Fractions, check them too, but I haven’t used either, so I can’t guarantee it will work

Click OK until you get back to your manuscript. Now we’ll use Find and Replace. NOTE: It’s very important that you change the em dashes BEFORE the en dashes, otherwise you will lose the former.

  1. Press Ctrl+H to bring up the Find and Replace window.
  2. Find: ” and Replace: ” (double quotes will now automatically be changed to the nice curved ones)
  3. Find: ‘ and Replace: ‘
  4. Find: ‘–’ and Replace: ‘^+’ (This creates an em dash)
  5. Find: ‘-’ and Replace: ‘^=’ (This creates an en dash. Remember to do this second!)
  6. Find: ‘…’ and Replace: ‘…’ (In Find, type three full stops (periods). In Replace, press either Ctrl+Alt+. or Alt Gr+. for a proper ellipsis)

Now check your manuscript to ensure the changes have taken effect.


Intelligent Layout:

With Smashwords, potential readers can read a sample of your work. With that in mind, it may be advisable to make the story itself available as close to the front as possible so they won’t feel cheated (and because they want to know what the story is like, not who you want to thank). That said, it’s advisable to make the Table of Contents (if you have one) easy to get to for the a reader who actually has the book. Being at the front rather than the back is the more obvious thing, although if it is the very last thing in the book then they need simply select ‘Go To End’ to get to it. In short, aside from the title and copyright pages, it’s up to you what order you put things.

This is the order I’ve gone with:

  • Title
  • Copyright
  • Table of Contents (also known as NCX)
  • Author’s Note (I have a number of special characters in the book which won’t show on some e-readers, so because I can’t make a file for each file type, I took them all out. I need the reader to know this right away, and to apologise if I missed any!)
  • The story itself
  • About the author
  • Anything else you want to put in

This might be frowned upon by some, since the potential reader will have to skip though all that to start reading, but it’s how I did it…so there. Also, because of the way my ‘chapters’ are done, I only have about three or four entries in the TOC. Others may be multiple pages on their own, in which case putting it last may be the best choice. As I said, it’s up to you.

Another thing worth noting about the TOC is that it is optional. Kind of. Most places will accept the book without one – Smashwords itself certainly will, and it will be put in the Premium Catalogue without one. However, my second novel was rejected by Apple due to not having a TOC. This confuses me, because my first novel didn’t have one either. Apparently they changed their requirements soon after, or some such. So in short, I’d recommend putting in a TOC. If you have abnormal chaptering like I do, you could try putting ‘Title, Table of Contents, Author’s Note, Story Begins’ or something of the like.

At this point in the process, don’t bother with actual links for the TOC. Just the text itself for now.

NOTE: It is essential that ‘Smashwords Edition’ be added to your copyright page. If it is not, it will be rejected. A simple copyright page is fine, and it can even be a part of the title page if you want. Simply putting ‘Copyright 2013 [Your Name]‘ is sufficient. I went a bit further with this:

Copyright © 2012 Ross Harrison
Cover copyright © 2012 Ross Harrison
Cover design by Mark Williams
Smashwords Edition
The right of Ross Harrison to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents act 1988.
All the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the author.

It is unnecessary, but it’s what I wanted to put in!


Preserve Your Thick Slanty Stuff:

The nuclear option will remove all formatting. That means your italic, bold and underlined text will become normal text. So here is how to preserve those. This is only for body text, so remove these from headings first, as they’ll be done separately later. There’s a small annoyance with this method. Take italics for example. If you had a word in italic, but then you deleted it, or decided to remove the italics, there’s likely a blank space that is still italic. It’s tedious, but the way I do it, is to search through the document to ensure only the text is italic. No random white space italicized. If you want to do this, the best way is to press Ctrl+F, click in the Find box, and then press Ctrl+I so that beneath the box it says ‘Font: Italic’. Click Find Next. Then click Cancel and use Ctrl+Page UP/Page Down to cycle through the italicized text, removing any white space. You may decide this is unnecessary, but I like to be as clean and tidy as possible.

Next, press Ctrl+H to bring up the Find and Replace window. During the following, you can either do each manually to ensure precision, or you can click Replace All. If you do the latter, I recommend taking italics, bold and underline off headings. If you do the former, then simply skip them. Remember not to type the quotes in the following!

  • In the Find box, press Ctrl+I so that it says ‘Font: Italic’ beneath. Leave this box empty and go to Replace. Type something like ‘II^&II’
  • In the Find box, press Ctrl+U so that it says ‘Underline’ beneath. Leave empty and go to Replace. Type ‘UU^&UU’
  • In the Find box, press Ctrl+B so that it says ‘Font: Bold’ beneath. Leave empty and go to Replace. Type ‘BB^&BB’
Preserve italics

Preserve italics

The reason I say ‘something like’ is that it’s the ‘^&’ that’s important. It simply refers to whatever is in the Find box. In this case, it’s simply whatever font formatting you have chosen. So now your italics will have ‘II’ on either side, and ‘UU’ and ‘BB’ respectively for underlined and bold. So ‘Bring back Firefly!‘ will now say ‘IIBring back Firefly!II‘. As you’ve guessed, we’ll do something similar after the nuclear option to reverse that. You can change ‘II’, ‘UU’ and ‘BB’ to whatever you want. It could say ‘JamesEarlJones’ and so long as you have the ^& in the middle, it will work.


Going Nuclear:

Now we have everything preserved and laid out correctly, it’s time for the nuclear option. This removes every last bit of formatting and hidden crap from your manuscript.

  1. Open Notepad++ and create a new file if necessary
  2. In Word, press Ctrl+A to select everything. Then Ctrl+C to copy it
  3. In Notepad++ press Ctrl+V to paste in your manuscript
Notepad++ with rough text

Notepad++ with rough text

Now it will look a bit of a mess. Every paragraph should be on a single line. Everything will be the same size and there will be no italics, bold or underline. There will also be a lot of white space. So let’s get rid of it:

  1. Press Ctrl+F and click on the Replace tab. Click ‘Extended’ under ‘Search Mode’ at the bottom. In the Find box, type ‘\t’ and leave the Replace box blank (make sure there isn’t a space in there by default). Click Replace All. This deletes tabs
  2. In the Find box, now type ‘\n\r’ and again leave the Replace box blank. Click Replace All. This deletes blank lines. NOTE: You may need to perform this step last
  3. In the Find box, type ‘ ‘ (two spaces) and in the Replace box type ‘ ‘ (one blank space). Click Replace All. This removes any double spaces. Close the Find and Replace box
  4. Click Edit -> Blank Operations -> Trim Leading and Trailing Spaces. This will delete space before and after paragraphs

Now your work will look equally confusing, but less messy. There should be no blank lines at all. The title line should be immediately followed by the copyright line followed by whatever comes next, with NO BLANK LINES between. Check the document over for white space that shouldn’t be there.

Deleting Blank Lines

Deleting Blank Lines

Trimming Blank Space

Trimming Blank Space

Cleaned Up Text

Cleaned Up Text


Back To Word:

Now we can take that cleaned up text back into Word. Before you do so, create a new file and check that the AutoFormatting options you choose at the start are still the same. In other words, only the opens about dashes and quotation marks should be checked. Also make sure ‘Replace Text as You Type’ is deselected, under the tab AutoCorrect.

Next, check your page layout. Margins should be ‘Normal’. That is ‘Top: 1″, Bottom: 1″, Left: 1″, Right: 1″‘. Ensure that the style selected is ‘Normal’ and that there are no Headers or Footers.

IMPORTANT: Save your document as a Word 97-2003 document (.doc). Firstly, this is what Smashwords accepts. Secondly (and less importantly), as I mentioned earlier, doing so slightly changes menus, so it’s best to do it now before you get confused.

Style 'Normal'

Style ‘Normal’

Margins 1"

Margins 1″

Now, in Notepad++, press Ctrl+A to select everything. Go to your new Word document and press Ctrl+V to paste it all in. It won’t look anything like you want it too, but it does look how it’s meant to, for now. Resist the urge to start clicking things and putting in tabs, etc. We will do all that shortly.


Restoring Your Thick Slanty Stuff:

So now we’ll use special codey type things to undo what we did earlier with the italics, bold and underlines. We need to tell the find and replace utility that it needs to replace any text with ‘II’ tags with only that text, italicized. We’ll that like this:

  1. Press Ctrl+H to open the find and replace window. Click More. Check the box Use Wildcards
  2. In the Replace box, type ‘\2′. This will be the same for all three.
  3. Now press Ctrl+I so that it says ‘Font: Italic’ under the Replace box. In the find box, type ‘(II)(*)(II)’. Press Replace All
  4. Go back to the Replace box and press Ctrl+I until nothing is written under the box. Now press Ctrl+B until it says ‘Font: Bold’ underneath
  5. In the Find box, replace the ‘II’ with ‘BB’. Press Replace All
  6. In the Replace box, press Ctrl+B until there’s nothing written under it. Now press Ctrl+U until it says ‘Underline’ beneath the box
  7. Surprise, surprise, you now need to replace the ‘BB’ in the Find box with ‘UU’. Press Replace All
Restoring Underline

Restoring Underline

Now all your italics, bolds and underlines should have been restored. Basically what we did with all that was tell it to find any text with ‘II’, ‘BB’ or ‘UU’ on either side and replace the whole thing with whatever that text is, and make it italic, bold or underlined, respectively. Check your manuscript to ensure it has worked properly.


A Note About Styles:

We’re all used to using the toolbar at the top of Word to change font size and type, and underline, and justification and so on. But that isn’t how we’ll be doing it for Smashwords, or else it might not make it through the Meatgrinder. We’ll be defining Styles. We’ll also be keeping it simple so as to make sure that it doesn’t get spat back out of the Meatgrinder either badly converted, or telling you to do it again. As I said, I’m using Word 2007. Anyone using a different version may not be able to follow the steps as easily, but the same process applies. If this is the case, then you should just Google how to find and edit your styles.

The other thing I wanted to note is that this may cause some issues if you have to come back to it. I mentioned earlier how the TOC/NCX is optional. Well, I didn’t use one for either of my novels. Apple allowed the first one through, but rejected the second because it didn’t have one. So I went back into my Smashwords .doc file to insert one. I found that Word had helpfully got rid of most of the styles I had created for it. This doesn’t seem to happen to everyone, and even when I checked the file for my short story, the styles were all still there, so hopefully it won’t be a problem for you. But, just to be safe, I strongly recommend that from this point, you continue straight through to the end of your file creation without quitting Word. It probably won’t be an issue, and can be fairly easily rectified (it’s mostly time consuming), but it’s best to be safe.


Defining Your Headers

This style will be applied to your title as well as your chapter headings (and other headings such as About the Author, etc). We will base it on the existing style Heading 2, as recommended by the Smashwords Style Guide.

This is how we define the style:

  1. In the Styles section of the toolbar, there is a darker strip at the bottom. At the end of that strip is a little arrow. Click this for a new box titled ‘Styles’ to pop up
  2. Hover your mouse over ‘Heading 2′ and an arrow will appear for a drop down box. Click it
  3. Click ‘Modify…’
  4. Make the following changes under the ‘Formatting’ heading (some may already be set):
    • Font: Times New Roman
    • Font size: 14pt (Smashwords’ Style Guide recommends no larger than 16pt)
    • Bold (and underlined, if you wish)
    • Colour: Automatic (which is black)
    • Align: Centre
  5. In the bottom left, click Format > Paragraph
  6. In the ‘Indents and Spacing’ tab, make the following adjustments:
    • Indentation – Left: 0″, Right: 0″
    • Special – (none), By: leave blank
    • Spacing – Before: 14pt, After: 14pt
    • Line Spacing – Single, At: leave blank
  7. Click OK
  8. You can leave the style’s name as ‘Heading 2′ if you want, or you can change it to something more personalised, such as ‘My Headings’
  9. Click OK
Style Box

Style Box

Modifying Heading 2

Modifying Heading 2

Paragraph Options

Paragraph Options

That’s the first style defined. Not hard. I actually created two Heading 2 styles, as I wanted my title to be slightly larger than the chapter headings, and I wanted those to be left aligned, not centred. If you want to do the same, then in the ‘Styles’ box from step 1, go right to the bottom and click on the left button showing two ‘A’s with what appears to be a little sun behind them. Then select ‘Heading 2′ beside ‘Style Based On’, give it an obvious name (like ‘My Title’) and then change your font size. We’ll be doing other styles by this method, so if that confused you, leave it until later.


Page Breaks:

I’m putting this right after the headings style because we’ll edit that style for this, but I’m making it separate to ensure it doesn’t get buried in a mess of instructions. Apparently, simply pressing Ctrl+Enter will create a page break (i.e. force a new page) and will still get you through the Meatgrinder. You can do that if you want, but I like to make it a built in part of my heading style to make certain it works they way I want. NOTE: The guide I cited earlier says that the Meatgrinder gives the Ctrl+Enter method ‘erroneous errors’.

So if you’re not going to use the Ctrl+Enter method, do this:

  1. Click the little arrow in the styles section again to bring up the Styles box. Go again to ‘Heading 2′ (or whatever you have renamed it) and bring down the drop down menu. Click Modify…
  2. Again, click Format > Paragraph
  3. This time, go to the Line and Page Breaks tab
  4. Under the ‘Pagination’ heading, check the box ‘Page Break Before’
  5. Click OK and then OK again

This does not affect the first page, so if you apply this style to your title, it won’t give you a blank page before it. But from then on, it will put your Heading 2 text on a new page.


Defining A Centred Style:

You may not need this, in which case, skip this section. You can use this style for the asterisks used for section breaks. Also apply it to the series name and author name on the title page, and copyright information.

Remember that I said not to set anything using the toolbar, so we need to define an entire style for centred text.

  1. Click on the little arrow in the style section again.
  2. Go to the bottom of the resulting styles box and click on the left hand button showing two ‘A’s with what looks like a sun behind them. If you hover the mouse over it, the tooltip will say ‘New Style’
  3. Now make these changes, where needed:
    • Give it a name, such as Centred (simply putting ‘My’ before any name will make sure you won’t get confused about whether or not it’s one you created
    • Style Type: Paragraph
    • Style Based On: Normal
    • Font: Times New Roman
    • Font Size: 12pt
    • Colour: Automatic
    • Alignment: Centre
  4. Now go to Format > Paragraph
  5. Under the Indents and Spacing tab, make the following changes:
    • Indentation – Left: 0″, Right: 0″
    • Special – (None), By: leave blank
    • Spacing – Before: 10pt, After: 10pt
    • Line Spacing – Single, At: leave blank
  6. Click OK and OK again
Creating A New Style

Creating A New Style

The one problem with this style is if you have a separate page for copyright information. Some people put it on the title page, but I have it separate. That means I have to create another style, identical to this one, but with the same ‘Page Break Before’ option as we did for the headings.


Defining Your Main Text Style:

Now, the first line after any kind of break should not be indented. This means that we’ll need to create two styles: one for the first paragraph of each section and one for the rest of the text.

  1. Click on the little arrow to bring up the Styles box
  2. Go to ‘Normal’, bring down the drop down menu and select Modify…
  3. Make these changes:
    • Rename to something like ‘First Paragraph’
    • Font: Times New Roman
    • Font Size: 12pt
    • Colour: Automatic
    • Alignment: Left (not Justified)
  4. Now go to Format > Paragraph
  5. In the Indents and Spacing tab, make these changes:
    • Indentation – Left: 0″, Right: 0″
    • Special – (none), By: leave blank
    • Spacing – Before: 0pt, After: 0pt
    • Line Spacing – Single, At: leave blank
  6. Click OK and then OK again
Creating A First Paragraph Style

Creating A First Paragraph Style

That’s the style you’ll apply to the first paragraph of every chapter and after every break. For the rest of the text, do this:

  1. Click on the little arrow to bring up the Styles box, then create a new style with the left hand button at the bottom
  2. Rename this style something like ‘Main Text’
  3. Style Type: Paragraph
  4. Style Based On: Normal
  5. Set the rest of the options the same as we did in the previous style, with one difference:
    • Under the Indents and Spacing tab, go to the ‘Indentation’ heading
    • Special – First Line, By: 0.25″
  6. Click OK and then OK again
Style For Main Paragraphs

Style For Main Paragraphs

You now have a second style, almost identical to the last, except that the first line of every paragraph will be indented. You’ll apply this to every paragraph from the second of every section to the last.


Applying Your Styles:

Now it’s time to apply all these styles you’ve created. Remember to be careful not to slip into the familiar use of the toolbar at the top to change fonts and so on. Only do this through styles. Also remember to use only the styles that you have created/modified. You can create as many as you want, but the more fancy you make them, the less I can guarantee the manuscript will make it through the Meatgrinder.

NOTE: A helpful thing to know/remember is that if you want to force your text onto a new line, you can use Shift+Enter. For example, I set my copyright style to make a page break before, so that it wouldn’t be on the title page. That meant, however, that each line was on a separate page. That was easily fixed by deleting the line break I’d created by pressing Enter the first time I wrote it, and instead pressing Shift+Enter. On the surface, it appears to do the same thing, but when I apply my style to the whole of the copyright information this time, it all stays on the one page.

These are the styles I used for the different parts of my own books:

  • Title: A slightly larged fonted version of Heading 2 (which I imaginatively named ‘My Title’)
  • Author and series name (directly under the title): Centred
  • Copyright information: A style identical to ‘Centred’, but with a page break before
  • Author’s Note: Main Text
  • Chapter headings: Heading 2
  • First paragraph of every section (in new chapters and after section breaks): First Paragraph
  • All other paragraphs: Main Text
  • Section breaks: Centred

This is pretty time consuming, but take your time and make sure everything looks the way you want it to.


Table of Contents (NCX):

Supposedly, Smashwords generates a NCX itself based on what you applied the Heading 2 style to. It did not do this for any of my three works, but it occurs to me as I type that this may be because I renamed the style. But it doesn’t matter because apparently, it’s a bit unreliable.

I’ll point out here that the NCX is the Smashwords table of contents, rather than your own table of contents, but I’ve shoved the terms together in case you’re looking for the term NCX.

According to the blog cited earlier, the .mobi file has a problem with doing the Table of Contents the way we’ll be doing it. It works fine, but when a link is used from the ToC, the chapter heading is put into the ‘normal’ style. It’s not a big problem, so it’s up to you. Either put up with that little problem, or don’t put in a ToC and have your book rejected by Apple.

So you should already have in the text for the Table of Contents (title page included). I’ll show you what my ToC looks like. As I said before, I have abnormal chaptering: the ToC would have been far too long, and it would have made no sense to anyone. A Smashwords member of staff suggested that I make a very simple one, like this:

Very Simple ToC

Very Simple ToC

Like I said, very simple, but acceptable to Apple. So once you’ve got the text of your ToC laid out, do the following:

  1. Apply the style Heading 2 (or whatever you’ve renamed it as) to the heading
  2. Go to the first place your ToC will link to (the title)
  3. Click somewhere in the title text and then go up to the Insert tab, then in the ‘Links’ section, about halfway across the toolbar, click Bookmark (If you’re not using Word 2007 or later, then you just go to Insert > Bookmark…
  4. Check the box Hidden Bookmarks at the bottom of the new window. Delete anything that is there. If this is already checked, I recommend unchecking it, and checking it again just to be sure
  5. Name your bookmark. It could be anything, but I named them to correspond to whatever was in the ToC text (‘Title’, in this case)
  6. Click Add
  7. Do the same for everywhere the ToC points to
  8. Go to the ToC text
  9. Highlight the first entry (‘Title’, presumably)
  10. Press Ctrl+K to bring up the Insert Hyperlink window
  11. On the left hand side, click Place In This Document
  12. In the central box, you’ll see your bookmarks. Select the corresponding one and click OK
  13. Repeat for every entry in the ToC
Inserting Bookmarks

Inserting Bookmarks

Ctrl+K To Insert Hyperlinks

Ctrl+K To Insert Hyperlinks

You can now test that the ToC entries all link to the correct place by holding Ctrl and clicking on each one.

NOTE: If for any reason you want external hyperlinks, perhaps to somwhere where all of your books can be purchased, use the same Ctrl+K method, except that you’ll click on Existing File or Webpage
on the far left, and simply type in the address at the bottom (the full address, including ‘http://‘). If it is an email address, type ‘mailto:’ followed by the address.


Adding Images

The last thing this guide will cover is adding images to your file. Generally, fiction won’t have any images, but perhaps you’ve written an epic fantasy tome and need a detailed map of the realm/s inserted. Or a photo for the About the Author page. NOTE: Bear in mind that there is no need to add your cover, as it will automatically be put into the front of the file the reader downloads. Also bear in mind that most e-readers are black and white.

For photographs, use JPEG (.jpg) format. For anything else, use PNG. The last time I checked, these were the only formats Smashwords accepts. Also last I checked, Smashwords does not allow for text wrapping.

  1. Click the Insert tab, and then click on Picture
  2. Select your image and click Insert
  3. Select your image and apply one of the styles we created earlier to it (it doesn’t matter which, but it must have one of these applied)
  4. Adjust your image to get the right size, etc
  5. With the image still selected, go to the Format tab and click on Text Wrapping
  6. Make sure it says ‘In Line With Text’, or the Meatgrinder will reject it
  7. Arrange your image and text so that it looks presentable despite the flaw of being unable to wrap text
Inserting An Image

Inserting An Image

Adjusting and (not) Wrapping

Adjusting and (not) Wrapping

Now, something else to consider with images is size. Smashwords allows a limit of 5mb for images in the file. That isn’t much for an image. The example I used in the screenshots is just over 1mb. So we need to compress the image.

Note that if you have not saved your document as a Word 97-2003 document, what you see when you click ‘Compress Pictures’ will be different. But you should have done that right at the start, so it’s your own fault!

  1. With your image still selected, go to the top left of the Format tab and click Compress Pictures
  2. Set the following:
    • All Pictures in Document
    • Web/Screen
    • Check the box ‘Compress Pictures’
    • Check the box ‘Delete Cropped Areas Of Pictures’
  3. Click OK
Compressing Images

Compressing Images


And that is that. If you have any questions, or think I’ve missed anything, leave a comment. I hope this has helped!

The Next Generation

I am going to talk (moan) about something completely unrelated to books – because I’ve never done that before…

I want to talk briefly about next gen console gaming.

The jump from Xbox to Xbox 360 was very exciting for me. The jump from Playstation 2 to PS3 not so much, in my case, because it was just too expensive. The leap in graphics was amazing and the kinds of games that were being shown were very impressive.

This time, I’m not too excited about it. There’s the usual feeling of getting something brand new, but I don’t think there’s a lot to be excited about, unfortunately. Graphically, there won’t be as big a leap as there was to the current gen. But it’s more than that.

My concern is that developers won’t make the kind of effort required to truly move into a new generation of gaming. Next gen, to me at least, should be about more than just pretty scenery, more happening on screen at once, and all with a smoother frame rate (and considering that Knack, one of the games shown at the unveiling suffered from slow down in a pretty simple-looking section, even that is a bit iffy).

To me, next gen is about the opportunity to make much more in-depth games. Games with proper stories, proper acting, real choices. I suppose games that are entirely ‘run from point A to point B and shoot anything in between’ have their place, but games will never evolve much by sticking to those.

I don’t just mean RPGs. Take the latest Tomb Raider. It details how Lara Croft went from innocent, starry-eyed teenager to hardened killer and survivor of any situation. For me, it failed to deliver the emotional impact it tried to simply because the characters she cared about (and that were meant to too) were never properly developed, but I won’t go into that. It was for the most part a fairly emotional storyline (whether it fully delivered it or not) that was not there simply as an excuse for shooting everything that moved.

Tomb Raider is also a good example of subtle detail that I think should be in all next gen games. Lara’s facial expression changed the longer the game went on. From wide eyed deer in the headlights, to glary eyes and ‘don’t test me’ frown. It may have been my imagination, I’m not sure, but I think the longer the game went on, the less girly a manner she held the handgun. Those are good touches. Little things like that will help make next gen. Or should.

So to me, developers need to start making sure writing and acting is top notch, and not rely on the ‘well it looks pretty, so it’ll sell’ angle. The new technology should, in my mind, be used to give the player a much deeper experience, even more so than a good looking one.

When I talk about choice, I don’t just mean in a (pre-ME3) Mass Effect or KOTOR kind of way. Being able to choose your path through a level, or choose the way you take on (or not) the enemy, too. Having plenty of things going on in the background, that isn’t necessarily a part of the story that can be interacted with and investigated. Basically, making the game more than just the facade of a world.

And my concern is that most developers don’t share that view of the next generation. Judging by the small amount we’ve seen so far, it’s going to be more of the same. Just nicer looking. Killzone 4 we’ve already seen. Battlefield 4 is being unveiled soon. It’s more of the same. More ‘Let’s make our way through this deserted area of town…I wonder where everyone is…oh, what a very big surprise, we’ve been ambushed…let’s shoot anything that moves then do it again in the next area’. There’s a degree of mindless entertainment in such games, but they get extremely boring very quickly.

Think of the best films you’ve ever seen. Clever, emotional, exciting. The kind that end and you realise you’ve been sat an inch above the seat, leaning towards the screen for the past hour with your mouth wide open. How many games are like that? Yet they’re interactive. Surely they should have more of an impact. Where are the Inceptions? The Dark Knights, the [insert brilliant movie comparison]…

Where is the real writing? The real acting? The real depth?

The games industry is bigger than Hollywood, and yet it isn’t taken seriously. The media still blames it for just about everything. If there were less mindless kill everything games, and more intelligent, story-driven games, wouldn’t the industry start being recognised for what it really is? Or can be.

Even Heavy Rain, which is basically an interactive movie, had terrible acting. Developers need to realise that they can’t just drag in anyone off the street to do their voice acting. They need real voice actors. People who can actually act.

But, I think so-called ‘next gen’ will be more of the same. And as a gamer, I find that depressing.

Giveaway!

Just a quick update to let you all know that I have listed a giveaway on Goodreads. So to be in for a chance of winning a signed paperback copy of Shadow of the Wraith, enter it here!

For anyone in Northern Ireland, you can also buy signed copies from Waterstones in Coleraine and Little Acorns Bookshop in Derry. Neither have many left though.

Long Time No Somethingorother…

I’ve been moving stuff for nearly two weeks, and not doing much else, so I’ve had very little to blog about. Not that I blog much anyway. But I thought I should update a bit.

At the weekend, I took up another shipment of books to Waterstones. The manager had me sign them all. That’s the first time I’ve ever used my little squiggly combination of the R and H! Although it was quite small… I’ll get used to it. We’re also trying to organise getting the books into more Waterstones branches. Which will be good.

The small amount of writing I have done has been all over the place. I was reading through what I already have of my third NEXUS novel when I got the urge to start…a noir. I’m not sure where that came from. Well, I think the urge started when I was playing Max Payne 3, ages ago. But now I have five chapters and 12,000 words of it done. At the moment, it is set in the same universe as the NEXUS novels, but not a part of that series. I don’t know at the moment whether to keep it like that, or bring it back to more modern times. We’ll see.

So, I will finally get back to writing more of the (semi-)noir today, and I’ll continue to go through the third NEXUS novel, and the short story I was writing ages ago. Maybe I’ll finish one of them at some point.

Also, I despise Skype. It’s garbage. Microsoft deserves a slap in the face with a very heavy glove for forcing me to use it.